Pindikalakshana, ʾṇḍṣaṇa, Pindika-lakshana: 3 definitions
Introduction:
Pindikalakshana means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term ʾṇḍṣaṇa can be transliterated into English as Pindikalaksana or Pindikalakshana, using the IAST transliteration scheme (?).
In Hinduism
Vastushastra (architecture)
: Google Books: Consecration Rituals In South Asiaʾṇḍṣaṇa (पिण्डिकालक्ष�) refers to one of the chapters of the ٱ𱹲峾ٲ: an Early Śaiva Pratiṣṭhātantra dating back to the 5th century CE dealing with topics related to temple construction, consecration rituals, and iconography.—The ٱ𱹲峾ٲ is written in the form of a dialogue between Śiva and the Goddess. It begins with the śԲ貹ṭa, ‘the chapter on questions�, in which Devī tells Śiva what topics she would like to learn about. The answers are provided in the following chapters [e.g., 辱ṇḍṣaṇa], of which each is dedicated to one specific subject.

Vastushastra (वास्तुशास्त्�, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
Shilpashastra (iconography)
: archive.org: Catalogue of Pancaratra Agama Texts (shilpa)ʾṇḍṣaṇa (पिण्डिकालक्ष�) (lit., “concerning pedestals�) is the name of chapters 19 and 32 of the Ādikāṇḍa of the Ჹⲹśīṣaṃh: a large Pāñcarātra Āgama consisting of roughly 6500 verses dealing primarily with architecture, temple-building and consecration rituals and iconography.—Description of the chapter 19 [辱ṇḍṣaṇa]: This chapter deals with how to execute the pedestal-base (?) for an icon. It is to be one-half the height of the icon.—[Description of the chapter 32]: The base on which an image is placed must be made with all care, whether it be solid or hollow, and must be of a certain proportion to the image. It should be carefully measured (1-12).

Shilpashastra (शिल्पशास्त्र, śilpaśāstra) represents the ancient Indian science (shastra) of creative arts (shilpa) such as sculpture, iconography and painting. Closely related to Vastushastra (architecture), they often share the same literature.
Pancaratra (worship of Nārāyaṇa)
Source: Wisdom Library: Pancaratra (Samhita list)ʾṇḍṣaṇa (पिण्डिकालक्ष�) is the name of chapters 12-13 of the Saura-Kāṇḍa of the Hayaśīrṣapañcarātra: an ancient Pāñcarātra consisting of four sections (ṇḍ), deriving its name from the fact that according to its frame-story (徱ṇḍ) it was revealed by God in the form of Hayaśiras, the Horse-Headed One. The Agnipurāṇa chapters 62-69 have parallels with the Saṃkarṣaṇakāṇḍa of the Hayaśīrṣa-pañcarātra.

Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
See also (Relevant definitions)
Partial matches: Lakshana, Pindika.
Full-text: Pindika.
Relevant text
Search found 4 books and stories containing Pindikalakshana, Piṇḍikā-lakṣaṇa, Pindika-laksana, Pindika-lakshana, ʾṇḍṣaṇa, Pindikalaksana; (plurals include: Pindikalakshanas, lakṣaṇas, laksanas, lakshanas, ʾṇḍṣaṇas, Pindikalaksanas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Agni Purana (by N. Gangadharan)
Notices of Sanskrit Manuscripts (by Rajendralala Mitra)
Page 64 < [Volume 6 (1882)]
A Descriptive Catalogue of the Sanskrit Manuscripts, Madras (by M. Seshagiri Sastri)
Page 170 < [Volume 22 (1918)]
Hindu Architecture in India and Abroad (by Prasanna Kumar Acharya)
Architecture in the Puranas < [Chapter 3 - Classical or post-Vedic Architecture]