Mandiranirmana, ѲԻ徱Ծṇa, Mandira-nirmana: 2 definitions
Introduction:
Mandiranirmana means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Pancaratra (worship of Nārāyaṇa)
: Shodhganga: Kasyapa Samhita—Text on Visha Chikitsa (p)ѲԻ徱Ծṇa (मन्दिरनिर्मा�) or “temple building� refers to one of the principal topics of the Pāñcarātra division of the Vaiṣṇava Āgamas.—The almighty Hari, out of compassion for mankind in general, felt that the Vedas and Śāstras could not be easily grasped and practised by people belonging the diverse communities and cadres, whose potential and comprehension would vary vastly. Hence, he promulgated the Pāñcarātra doctrine [teaching for example temple building—Ի徱Ծṇa] which is the essence of the Vedas, in a simplified form.

Pancaratra (पाञ्चरात्र, pāñcarātra) represents a tradition of Hinduism where Narayana is revered and worshipped. Closeley related to Vaishnavism, the Pancaratra literature includes various Agamas and tantras incorporating many Vaishnava philosophies.
Vastushastra (architecture)
: archive.org: Catalogue of Pancaratra Agama Texts (vastu)ѲԻ徱Ծṇa (मन्दिरनिर्मा�) (lit. “concerning temples�) is the name of chapter 6 of the վṣṇܳپ첹ṃh: a Pāñcarātra text comprising 3500 Sanskrit verses covering the typically �agamic� subjects which are being narrated by Brahmā to a number of sages.
Description of the chapter [Ի徱Ծṇa]: This chapter treats first of the considerations that must be satisfied while building a temple (1-341), then of the rules for furnishing the finished building with icons and other finishing touches (342-479). A brief section at the end concerns itself with domestic worship (496-502).
In undertaking to construct a temple, the first thing to do is to select a properly qualified Ācārya-director (3-10). He, with others, will select a suitable site (11-21, 236-239), perform the various preliminary pacification rites (22- 35a) and attend to the matter of town-planning consequent to planning a shrine and forming a settlement around it (35b-67a). After plowing the site and attending to certain attendent matters (67b-85), a pit is dug and ٲdz rites are performed (86-96) followed by the installation of a miniature icon in a miniature replica of the temple. Such a ⲹ is to be provided not only during a building program but also during later periods when repairs must be undertaken (97-175).
There are various typologies of temples, according to materials used, according to numbers of storeys, etc. (176-205). In a three-storey temple, some or all of these sections will be found in the order from bottom to top: ܱԲ, Ჹī, kumuda, 貹ṭṭ, 첹ṇa, 貹ṭṭ, ī, 貹ṭṭ, ᲹԲ, 徱, ū, ṇa, ṃs, kapota, prati, prati徱, 첹ṇa, ś (188-1912), While the details of building are to be drawn from the Śilpaśāstras, certain sections here are given over to ٳṣṭ-rites (209-240), Բ-rituals (244-267), and ūṣṭ-activities (268-275). There follows a digression on ūī (276-281a) and a few words about śܳ (281b- 298), followed by some counsels about placements of the 徱ṅmūپ figures (287-303).
Then follow some remarks about ṇḍ貹-pavilions (305-318a), gopuras (318b-320a), (320b-327) and 屹-doors (328-341).
Turning to icons, there are six varieties according to the substance they are made of each with distinctive benefits (342b-348). When icons are fashioned of stone or of wood, there are certain ritual procedures to follow in gathering together the raw materials (349-378, 379-386). Icons themselves have certain proportions and iconographical conventions that must be maintained whether standing (387-412a), seated (412b-437) or shown on a vehicle (438-448). The doorkeeper figures are described (449-465), with variants given for different entrances (466-479).
As for other items in the temple compound—Garuḍa, the īṻ, the dhvajastambha, the kitchen, the storerooms, the treasury, wardrobes, etc. these are each briefly mentioned (480-493). Special mention is given to the shrines devoted to Matsya, et. al., and to those given over to Viṣṇubhaktas (494-495).
In relation to the discussion of such mandira-shrines, attention in closing shifts to domestic worship and household shrines and the icons suitable for and proportionate to them (496-498). The chapter ends with an eulogy of the 峾-stone, considered ideal as an "icon" for household worship (499- 502).

Vastushastra (वास्तुशास्त्�, vāstuśāstra) refers to the ancient Indian science (shastra) of architecture (vastu), dealing with topics such architecture, sculpture, town-building, fort building and various other constructions. Vastu also deals with the philosophy of the architectural relation with the cosmic universe.
See also (Relevant definitions)
Partial matches: Nirmana, Mandira.
Full-text: Temple building, Karna, Vedika, Prati, Urdhva, Upana, Vajana, Prativedika, Kumuda, Carana, Kapota, Jagati, Pattika, Mahati, Hamsamala, Dinmurti, Mandira, Khatahoma, Khata.
Relevant text
Search found 2 books and stories containing Mandiranirmana, ѲԻ徱Ծṇa, Mandira-nirmāṇa, Mandira-nirmana; (plurals include: Mandiranirmanas, ѲԻ徱Ծṇas, nirmāṇas, nirmanas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Bhagavata Purana (by G. V. Tagare)
Part 3 - The Bhāgavata Purāṇa and Pāñcarātra < [Introduction]
The Structural Temples of Gujarat (by Kantilal F. Sompura)
1. Early reference to architectural Canons < [Chapter 1 - Sources of architectural canons]