Domba, Ḍōmba, Ḍo: 12 definitions
Introduction:
Domba means something in Buddhism, Pali, Hinduism, Sanskrit, Jainism, Prakrit, Marathi, biology. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
In Hinduism
Kavya (poetry)
: OpenEdition books: վīٳ첹貹� (Kāvya)Ḍo (डोम्�) in Sanskrit refers to a low caste musician, as is mentioned in the վīٳ첹貹 by Jinaprabhasūri (13th century A.D.): an ancient text devoted to various Jaina holy places (īٳ).—Note: A ḍo is a low caste musician (Monier Williams and Böhtlingk sv). The word is well preserved in modern languages: CDIAL 5570 Gy. Eur. rom “man�, No. ḍo “barber�, Kho. ḍo “musician�, S. ḍūm “caste of traveling musicians�, etc. In Hindi (cf. Sharma 1987 sv), ḍo means “a caste of untouchables, who most often work in cemeteries�. Cf. k.38, n.34.

Kavya (काव्�, kavya) refers to Sanskrit poetry, a popular ancient Indian tradition of literature. There have been many Sanskrit poets over the ages, hailing from ancient India and beyond. This topic includes mahakavya, or ‘epic poetry� and natya, or ‘dramatic poetry�.
Natyashastra (theatrics and dramaturgy)
: OAPEN: Abhinavagupta on Dance and Dramatic ActingḌo (डोम्�) refers to a particular community of “singers� possibly associated with the Ḍo genre of performance in ancient Indian art of dance and theater.—V. Raghavan (1978) highlights the popular character and origin of the genre called Ḍo. He derives this idea from the description, in Kalhaṇa’s Rājataraṅginī, of a musical and dance performance by an ensemble composed of a ḍo singer (ḍogāyana) and his two daughters, also ḍo singers (ḍogāyikā), collectively referred to as a ḍo ensemble (ḍomaṇḍala). Raghavan further mentions the existence of a peripatetic community of performers in South India called ḍos, whose performances, the ḍonkūṭṭādis, featured acrobatic numbers, drumming and rope-dancing (Raghavan 1993: 190�191).
Ჹٲṅgṇ� 5.354�380 recounts the visit of a troupe of ḍos to the court of Kashmir in the tenth century, and how the ruling king Cakravarman, flattered and seduced by the singing and dancing of the two daughters of Raṅga, the ḍo singer, introduced them into his court. Blinded by passion, Cakravarman let the ḍos take control over the affairs of his kingdom, while he fell into misery and was eventually murdered. Such commonalities led Raghavan and Warder to consider the Ḍo described by Abhinavagupta on a par with the performance by the ḍomaṇḍala described in the Rājataraṅginī.

Natyashastra (नाट्यशास्त्र, ṭyśٰ) refers to both the ancient Indian tradition (shastra) of performing arts, (natya—theatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
In Buddhism
Tibetan Buddhism (Vajrayana or tantric Buddhism)
: academia.edu: The Structure and Meanings of the Heruka MaṇḍalaḌo (डोम्�) is the name of a Vīra (hero) who, together with the Ḍākinī named Ḍombī forms one of the 36 pairs situated in the ҳṇa, according to the 10th century Ḍākṇa chapter 15. Accordingly, the ṇa refers to one of the four divisions of the Ჹ-ṭa (‘innate layer�), situated within the padma (lotus) in the middle of the ܰ첹ṇḍ. The 36 pairs of Ḍākinīs and Vīras [viz., Ḍo] are whitish red in color; they each have one face and four arms; they hold a skull bowl, a skull staff, a small drum, and a knife.

Tibetan Buddhism includes schools such as Nyingma, Kadampa, Kagyu and Gelug. Their primary canon of literature is divided in two broad categories: The Kangyur, which consists of Buddha’s words, and the Tengyur, which includes commentaries from various sources. Esotericism and tantra techniques (Բ) are collected indepently.
In Jainism
General definition (in Jainism)
: archive.org: TrisastisalakapurusacaritraḌo (डोम्�) refers to one of the ancient Mleccha-countries, according to chapter 1.3 [īś-ٰ] of Hemacandra’s 11th century Triṣaṣṭiśalākāpuruṣacaritra: an ancient Sanskrit epic poem narrating the history and legends of sixty-three illustrious persons in Jainism.
Accordingly,
“[...] Independent, unstumbling like the wind, practicing various and manifold penances, persevering in manifold vows, the Blessed One [i.e., Ṛṣabha] wandered for a thousand years as easily as a day in Mleccha-countries [viz., Ḍo, etc.], observing silence, making non-Āryas well-disposed to others just from the sight of him, untouched by disturbances, enduring trials�.

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
Biology (plants and animals)
: Google Books: CRC World Dictionary (Regional names)Domba in Bhutan is the name of a plant defined with Zea mays in various botanical sources. This page contains potential references in Ayurveda, modern medicine, and other folk traditions or local practices It has the synonym Zea tunicata (Larrañaga ex A. St.-Hil. (among others).
Example references for further research on medicinal uses or toxicity (see latin names for full list):
· Taxon (1987)
· Botanische Zeitung. Berlin (1851)
· Escritos (1923)
· Makinoa (1947)
· Enumeratio Stirpium Transsilvaniae (1816)
· Nomenclator Botanicus (1821)
If you are looking for specific details regarding Domba, for example side effects, pregnancy safety, chemical composition, health benefits, diet and recipes, extract dosage, have a look at these references.

This sections includes definitions from the five kingdoms of living things: Animals, Plants, Fungi, Protists and Monera. It will include both the official binomial nomenclature (scientific names usually in Latin) as well as regional spellings and variants.
Languages of India and abroad
Marathi-English dictionary
: DDSA: The Molesworth Marathi and English Dictionaryḍōmba (डोंब).—m ( H) A low caste or an individual of it. They are employed especially about burial and burning grounds. 2 A conflagration or a roaring fire; any fierce blazing or intense heat. Gen. used with 岵, as āgīcā ḍōmba. 3 fig. Sensation of great heat, a burning or glowing; as aṅgācā ḍōmba. 4 Used as a particle of enhancement with adjectives expressing acritude or pungency; as tikhaṭa ḍōmba. 5 f R A pit to receive the issues from a drain or sewer, a cess-pool. ḍōmba pājaḷaṇēṃ-hōṇēṃ To get overheated--the body. 2 To be blazoned abroad. v .
Marathi is an Indo-European language having over 70 million native speakers people in (predominantly) Maharashtra India. Marathi, like many other Indo-Aryan languages, evolved from early forms of Prakrit, which itself is a subset of Sanskrit, one of the most ancient languages of the world.
Sanskrit dictionary
: Cologne Digital Sanskrit Dictionaries: Benfey Sanskrit-English DictionaryḌo (डोम्�).—m. A man of a low caste, who gains his livelihood by singing and dancing, [Ჹٲṅgṇ�] 5, 353.
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English DictionaryḌo (डोम्�).—[masculine] a cert. low caste; [feminine] ī a kind of drama.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) Ḍo (डोम्�):—[from ḍoa] m. idem, [Varāha-mihira’s Bṛhat-saṃhitā lxxxvii, 33] ([varia lectio] ḵ), [Kathāsaritsāgara xiii, 96ff.; Ჹٲṅgṇ� vf.]
2) [v.s. ...] Name of a man,[ vii, 1070 and 1136]
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpusḌoṃba (ಡೊಂಬ):�
1) [noun] (masc.) a skilled performer of gymnastic feats, that requires skilful control of the body, as walking on a tightrope or swinging on a trapeze; an acrobat.
2) [noun] a caste, members of which are generally engaged in acrobatics.
3) [noun] ಡೊಂಬ� ಕೋಡಗ [dombara kodaga] ḍora kōḍaga (fig.) a person whose actions are prompted and controlled by another or others; a puppet; ಡೊಂಬ� ಲಾ� [dombara laga] ḍora lāga the skilful tumbling of an acrobat.
4) [noun] (fig.) all one’s efforts (to achieve something); ಡೊಂಬರಾ� [dombarata] ḍorāṭa a theatrical, sensational actions or course of an action, often hypocritical, done to impress others or gain some personal advantages.
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Ḍoṃba (ಡೊಂಬ):�
1) [noun] a deceitful act of speech.
2) [noun] a pretending to be what one is not or to feel what one does not feel; hypocrisy.
3) [noun] an unduly high opinion of oneself, one’s merits, possession, status, etc.; exaggerated self-conceit; pride; vanity.
4) [noun] a man whose actions belie stated beliefs; he who pretends to have virtues, moral or religious beliefs, principles, etc., which he does not actually possess; a hypocrite.
5) [noun] a cheat; a deceiver; a fraud.
6) [noun] an entertainer who is skilled in producing illusion by sleight of hand, deceptive devices, etc.; a magician.
7) [noun] a snake charmer.
8) [noun] great or special power, ability or faculty.
9) [noun] haughty or arrogant behaviour.
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Doṃba (ದೊಂಬ):�
1) [noun] (masc.) a skilled performer of gymnastic feats, that requires skilful control of the body, as walking on a tightrope or swinging on a trapeze; an acrobat.
2) [noun] a caste, members of which are generally engaged in acrobatics.
3) [noun] ದೊಂಬ� ಕುಣಿ� [dombara kunita] dombara kuṇita artless, unskilled dancing; ದೊಂಬ� ಕೋಡಗ [dombara kodaga] dombara kōḍaga (fig.) a person whose actions are prompted and controlled by another or others; a puppet; ದೊಂಬರಗಿತ್ತ� [dombaragitti] dombaragitti a woman belonging to the caste of acrobats; ದೊಂಬ� ಲಾ� [dombara laga] dombara lāga the skilful tumbling of an acrobat.
4) [noun] (fig.) all one’s efforts (to achieve something) ದೊಂಬರಾ� [dombarata] dombarāṭa a theatrical, sensational actions or course of an action, often hypocritical, done to impress others or gain some personal advantages.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Starts with (+21): Domba bondue, Domba oil, Dombaali, Dombagayana, Dombagayana, Dombagayika, Dombagayika, Dombakage, Dombakavala, Dombala, Dombali, Dombamandala, Dombamandala, Dombanem, Dombara, Dombarage, Dombari, Dombaru, Dombati, Dombavare.
Full-text (+9): Doma, Dumba, Domakavala, Dombi, Dombavidye, Dombagayana, Dombamandala, Dombagayika, Dombakage, Tompam, Domba oil, Domba bondue, Dombavare, Kadudomba, Domaali, Ram, Dombakavala, Mushtika, Tompan, Dombu.
Relevant text
Search found 11 books and stories containing Domba, Ḍōmba, Ḍo, Ḍoṃba, Doṃba; (plurals include: Dombas, Ḍōmbas, Ḍos, Ḍoṃbas, Doṃbas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Political history of Kashmir (from A.D. 600�1200) (by Krishna Swaroop Saxena)
Part 4 - Restoration of Chakravarman ( C. 936 A.D. ) < [Chapter 7 - The downfall of the Utpalas]
Part 6 - Plot against Kandarpa and His Fall < [Chapter 11 - Harsha (1089-1101 A.D.)]
Part 4 - The Royal Court of Harsha and its Splendour < [Chapter 11 - Harsha (1089-1101 A.D.)]
Kathasaritsagara (the Ocean of Story) (by Somadeva)
Conclusion of King Trivikramasena and the Mendicant < [Appendix 6.1 - The Twenty-five Tales of a Vetāla]
Chapter XIII < [Book II - Kathāmukha]
Notes on the story of Devasmitā < [Notes]
Sanskrit Words In Southeast Asian Languages (by Satya Vrat Shastri)
Page 141 < [Sanskrit words in the Southeast Asian Languages]
Page 243 < [Sanskrit words in the Southeast Asian Languages]
Trishashti Shalaka Purusha Caritra (by Helen M. Johnson)
Part 38: Rescue of Nandiṣeṇ� < [Chapter II - Marriages of Vasudeva with maidens]
Part 8: Ṛṣabha’s kevala < [Chapter III]
Mahapurana of Puspadanta (critical study) (by Ratna Nagesha Shriyan)
Kathasaritsagara (cultural study) (by S. W. Chitale)
Social Conditions—Introduction < [Chapter 4 - Social Conditions]