Dima, 岣宨尘补: 12 definitions
Introduction:
Dima means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Images (photo gallery)
In Hinduism
Natyashastra (theatrics and dramaturgy)
Source: Wisdom Library: N膩峁瓂a-艣膩stra岣宨尘补 (啶∴た啶�) refers to one of the 鈥渢en kinds of dramatic plays鈥� (诲补艣补谤奴辫补), according to the 狈腻峁瓂补艣腻蝉迟谤补 chapter 20. These different types of dramas are considered to have originated from the various styles (惫峁泃迟颈), which is discussed in chapter 22 of the same work. The 岣宨尘补 type of drama includes the following styles: Verbal (产丑腻谤补迟墨), Grand (蝉腻迟迟惫补迟墨) and Energetic (腻谤补产丑补峁�).
: archive.org: Natya Shastra岣宨尘补 (啶∴た啶�).鈥擮ne of the ten types of play (苍腻峁瓂补).鈥擳he 岣宨尘补 is a play with a well-constructed Plot and its Hero should be well-known and of the exalted type. It is to contain all the Sentiments except the Comic and the Erotic, an should consist of four Acts only. Incidents depicted in it are mostly earthquake, fall of meteors, eclipses, battle, personal combat, challenge and angry conflict. It should abound in deceit, jugglery and energetic activity of many kinds. The sixteen characters which it must contain are to include different types such as gods, N膩gas, R膩k峁sas, Yak峁s and Pi艣膩cas.
The 岣宨尘补 and the Samavak膩ra are to have four segments (sandhi), and the playwright should never make the Pause (惫颈尘补谤艣补) in them.
: Shodhganga: Elements of Art and Architecture in the Trtiyakhanda of the Visnudharmottarapurana (natya)岣宨尘补 (啶∴た啶�) refers to one of the twelve kinds of 搁奴辫补办补, which represents the 诲峁浥泍补办腻惫测补 division of K膩vya (鈥減oetry鈥�), according to the 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺, an ancient Sanskrit text which (being encyclopedic in nature) deals with a variety of cultural topics such as arts, architecture, music, grammar and astronomy.鈥擳he 痴颈峁ａ箛耻诲丑补谤尘辞迟迟补谤补辫耻谤腻峁嘺 states that the plot and the hero of 岣峣尘补 should be well known. In the 狈腻峁瓂补艣腻蝉迟谤补 it is said that six sentiments except 艣峁涐箙驳腻谤补 and 丑腻蝉测补 are to be associated in a 岣峣尘补. According to the 厂腻丑颈迟测补诲补谤辫补峁嘺, 岣峣尘补 consists of four acts. This book relates that the hero of a dima should be a 诲别惫补迟腻, gandharva, yak峁, r膩k峁sa, mah膩n膩ga, bh奴ta, preta or 辫颈艣腻肠补
: Shodhganga: Kohala in the Sanskrit textual tradition (ns)岣宨尘补 (啶∴た啶�) refers to one of the twenty-one divisions of the M膩rga-搁奴辫补办补 compositions in ancient Indian art of dance and theater.鈥擯uru峁ttama Mi艣r膩, while defining the terms 尘腻谤驳补 and 诲别艣墨 quotes the Sa峁単墨tan膩r膩ya峁嘺 (Vol. II, pp.406-410) which he says has been taken from Kohala (the work of Kohala). He says that 尘腻谤驳补 is that which was shown to 艢iva and P膩rvat墨 by Brahma after performing penance. He says the 尘腻谤驳补谤奴辫补办补蝉 are twenty in number [e.g., 岣峣尘补]. [...] But when listing out the names, there appear twenty-one 谤奴辫补办补蝉. [...]
Natyashastra (啶ㄠぞ啶熰啶ざ啶距じ啷嵿い啷嵿ぐ, 苍腻峁瓂补艣膩stra) refers to both the ancient Indian tradition (shastra) of performing arts, (natya鈥攖heatrics, drama, dance, music), as well as the name of a Sanskrit work dealing with these subjects. It also teaches the rules for composing Dramatic plays (nataka), construction and performance of Theater, and Poetic works (kavya).
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionary岣宨尘补 (啶∴た啶�).鈥擮ne of the ten kinds of dramas; 啶ぞ啶啶ㄠ啶︵啶班啶距げ啶膏啶椸啶班ぞ啶啷嵿ぐ啷嬥ぇ啷嬥う啷嵿き啷嵿ぐ啶距え啷嵿い啶距う啶苦啷囙し啷嵿啶苦い啷堗 啷� 啶夃お啶班ぞ啶椸啶多啶� 啶啶た啶粪啶犩 啶∴た啶 啶栢啶ぞ啶む啶洁い啶苦さ啷冟い啷嵿い啶曕 (m膩yendraj膩lasa峁僩r膩makrodhodbhr膩nt膩dice峁ａ弓itai岣� | upar膩gai艣ca bh奴yi峁ａ弓ho 岣峣尘补岣� khy膩to'tiv峁泃taka岣�) || S. D.517.
Derivable forms: 岣峣尘补岣� (啶∴た啶).
: Cologne Digital Sanskrit Dictionaries: Shabda-Sagara Sanskrit-English Dictionary岣宨尘补 (啶∴た啶�).鈥攎.
(-尘补岣�) A dramatic entertainment, dramatic exhibition of battle or seige, such as the Tripurabadha, in which the destruction of the three cities of Tripura by Siva is dramatised. E. 岣峣尘补 affray, and affix ka 2. One of the ten kinds of drama, thus defined:鈥�m膩yendraj膩lasa峁僩r膩makrodhodbh膩nt膩dice峁ａ弓itai岣� . upar膩gai艣ca bh奴yi峁ａ弓ho 岣峣尘补岣� khy膩to'tiv峁泃taka岣� ..
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionary岣宨尘补 (啶∴た啶�).鈥擺masculine] a kind of drama; a cert. caste.
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionary1) 岣宨尘补 (啶∴た啶�):鈥�m. a dramatic exhibition of a siege (as of Tripura-d膩ha q.v.), [Da艣ar奴pa; Prat膩parudr墨ya; S膩hitya-darpa峁嘺]
2) a kind of mixed caste, [Brahma-pur膩峁嘺 i, 10, 105.]
: Cologne Digital Sanskrit Dictionaries: Yates Sanskrit-English Dictionary岣宨尘补 (啶∴た啶�):鈥�(尘补岣�) 1. m. A dramatic entertainment or exhibition of battle.
[Sanskrit to German]
Sanskrit, also spelled 啶膏啶膏啶曕啶むぎ啷� (蝉补峁僺办峁泃补尘), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
Kannada-English dictionary
: Alar: Kannada-English corpus岣宨尘补 (嗖∴部嗖�):鈥擺noun] the dramatic exhibition of an invasion or siege.
Kannada is a Dravidian language (as opposed to the Indo-European language family) mainly spoken in the southwestern region of India.
See also (Relevant definitions)
Partial matches: The, The, Dima, Te.
Starts with (+14): Dhimai, Dimac, Dimadi, Dimadima, Dimag, Dimag-chatnu, Dimaga, Dimaga-catnu, Dimagadara, Dimagdar, Dimagi, Dimagila, Dimagili, Dimagilo, Dimak, Dimaka, Dimakha, Dimakhadara, Dimaki, Dimaku.
Full-text: Timam, Sabansa-dima, Sekima, Tandimanata, Manmathonmathana, Bandor-dima, Tripuradaha, Anaka, Aviddha, Rupakam, Dasharupa, Vrittalankaramalika, Rupaka, Samavakara, Rupa, Marga, Rama, Dhavala.
Relevant text
Search found 35 books and stories containing Dima, 岣宨尘补, The dima; (plurals include: Dimas, 岣宨尘补s, The dimas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Hanuman Nataka (critical study) (by Nurima Yeasmin)
Part 2: Varieties of D峁浥泍ak膩vya < [Chapter 1]
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
1.4. Types of Drama < [Chapter 3 - Drama and Dance]
Bhasa (critical and historical study) (by A. D. Pusalker)
Natyashastra (English) (by Bharata-muni)
Chapter XX - Ten Kinds of Play (诲补艣补谤奴辫补)
Part 3 - Literary Structure of the Drama < [Introduction, part 1]
Part 2 - The Ancient Indian Theory of Drama < [Introduction, part 1]
Kohala in the Sanskrit textual tradition (Study) (by Padma Sugavanam)
Kohala and N膩峁瓂a (7): The concept of Upa谤奴辫补办补蝉 < [Chapter 2 - Kohala as seen in citations]
Kohala and N膩峁瓂a (1): The concept of P奴rvara峁単a < [Chapter 2 - Kohala as seen in citations]
Kohala and N膩峁瓂a (4): The concept of Da艣ar奴paka < [Chapter 2 - Kohala as seen in citations]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Introduction to the 岣宨尘补 type of Drama < [Chapter 4 - 岣宨尘补 (critical study)]
Part 3-6 - 岣宨尘补 rules < [Chapter 4 - 岣宨尘补 (critical study)]