Brihatkatha, Brihat-katha, ṛhٰ첹ٳ: 11 definitions
Introduction:
Brihatkatha means something in Hinduism, Sanskrit, Jainism, Prakrit, the history of ancient India. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
The Sanskrit term ṛhٰ첹ٳ can be transliterated into English as Brhatkatha or Brihatkatha, using the IAST transliteration scheme (?).
In Hinduism
Purana and Itihasa (epic history)
: archive.org: Puranic Encyclopediaṛhٰ첹ٳ (बृहत्कथा).—See Guṇāḍhya.

The Purana (पुरा�, purāṇas) refers to Sanskrit literature preserving ancient India’s vast cultural history, including historical legends, religious ceremonies, various arts and sciences. The eighteen mahapuranas total over 400,000 shlokas (metrical couplets) and date to at least several centuries BCE.
General definition (in Hinduism)
: Google Books: Shiva's Own StoryThe 'Brihatkatha', or Lord Shiva's narrative to his wife Parvati, is featured in Gunadhya's epic composition 'Katha Sarita Sagara' in Sanskrit. Somadeva's adaptation retains the storyline, with Lord Shiva substituting for Lord Kubera, the God of Wealth. C H Tawney, blending pure Hindu mythology with Buddhist and tantric beliefs, translated the story into English as The Ocean of a Story, which runs 12 volumes and includes footnotes. Shiva's Own Story is a condensed version of Tawney's work. The setting of the stories is India in the 10th and 11th centuries, when the country was composed of many small kingdoms and fiefdoms. There was no dearth of monarchs with dynastic ambitions. The king was usually advised by an intelligent and devoted Brahman minister. The heir apparent, the crown prince, had a circle of friends, mostly sons of the king's ministers, who became part of the cabinet when the prince became king. Intrigue was rife and matrimonial alliances were often a strategy to expand the kingdom. In a country where illiteracy is still formidable, storytelling is a means of promoting and propagating religious and moral culture.
: WikiPedia: Hinduism >Brihatkatha, literally meaning the big (vrihat) story (katha), is an ancient Indian epic, and a great many classic Indian fables like the Panchatantras, Hitopadesha, Vetala Panchvimshati and others have probably been taken from this source, and many of the stories have traveled far and wide.
Brihatkatha has become a legend living only through later (mostly Sanskrit) adaptations like Kathasaritsagara, Brihatkathamanjari and ṛhٰ첹ٳślokasaṃgraha as the original prakrit version has been "lost".
Origin of the Satvahana Brihatkatha:
Shiva had narrated the story of the Vidyadharas to Parvati. Sivas gana Pushpadanta happened to overhear the story. When Parvati was cursing Pushpadanta his friend Malyavan tried to plead on his behalf and got a share of the curse. Pushpadanta was to tell the story to Pishacha Kanabhuti in a forest and then get relief from the curse and get reborn in Kaushambi as Vararuchi. Meanwhile Malyavan was to be released from the curse only when he would collect the story from the Pisacha and release the story to the world.
Malyavan (born under the name of Gunadhya) went into the Bindhya forest to get the story from the Pisacha and wrote down the story with his own blood in the Paisachi language. But when he took the story to the King Satvahana, the king refused to acknowledge the story (probably because it was written in Paisachi) and Gunadhya retired to the forest again. One of the versions of Kathasaritsagara suggests that when Gunadhya set a fire and kept reading out the Brihatkatha page by page and sacrifice the read out page in the fire. All the animals were so charmed by the story that they all gathered there and silently listened to the story.
The King (Satvahana) had gone to the forest to hunt and could not find any animal but was himself charmed by an amusing sound and was attracted to the source. When he reached the source he found Gunadhya sacrificing the epic written in his own blood page by page. He managed to stop Gunadhya from sacrificing the seventh chapter but all the six previous chapters had already been sacrificed. This seventh verse is the only remains of the Brihatkatha from which all the later adaptations—like Kathasaritsagara—have been made.
In Jainism
General definition (in Jainism)
: Singhi Jain Series: Ratnaprabha-suri’s Kuvalayamala-kathaṛhٰ첹ٳ (बृहत्कथा) refers to a work by Guṇādhya that was written the Paishachi language, according to the 8th-century Kuvalayamālā written by Uddyotanasūri, a Prakrit Campū (similar to Kāvya poetry) narrating the love-story between Prince Candrāpīḍa and the Apsaras Kādambarī.—There is a mention of four major languages, namely, Sanskrit, Prakrit, Apabhramsha and Paishachi; and during the 8th century, vast body of Apabhramsha literature appears to have been already produced. The Paishachi language seems to have been represented by the ṛhٰ첹ٳ which had survived in its original form upto the time of Uddyotanasūri. This appears to be very probable since the original Paiśācī ṛhٰ첹ٳ was known to Kṣemendra who based his Sanskrit version on it.

Jainism is an Indian religion of Dharma whose doctrine revolves around harmlessness (ahimsa) towards every living being. The two major branches (Digambara and Svetambara) of Jainism stimulate self-control (or, shramana, ‘self-reliance�) and spiritual development through a path of peace for the soul to progess to the ultimate goal.
India history and geography
: academic.ru: South Asian ArtsThe principal work of the novelistic and picaresque tale is the ṛh-첹ٳ (“Great Story�) of Guṇāḍhya, written in Prākrit and now lost, save for Sanskrit retellings. The most important among these Sanskrit versions is the ٳ-ٲ岵 (“Ocean of Rivers of Stories�) of Somadeva (11th century), which includes so many subsidiary tales that the main story line is frequently lost. Perhaps more faithful to the original—in any case far less distracting—is the ṛhٰ첹ٳślokasaṃgraha (“Summary in Verse of the Great Story�), by Budhasvāmin (probably 7th century), one of the most charming of Sanskrit texts. Other collections of tales include the ձ-貹ñṃśaپ (“Twenty-five Tales of a Ghost�), Śū첹ٲپ (“The Seventy Stories of a Parrot�), and the ṃhԲ-屹ٰ-پ (“Thirty-two Stories of a Royal Throne�).

The history of India traces the identification of countries, villages, towns and other regions of India, as well as mythology, zoology, royal dynasties, rulers, tribes, local festivities and traditions and regional languages. Ancient India enjoyed religious freedom and encourages the path of Dharma, a concept common to Buddhism, Hinduism, and Jainism.
Languages of India and abroad
Sanskrit dictionary
: DDSA: The practical Sanskrit-English dictionaryṛhٰ첹ٳ (बृहत्कथा).—Name of a work ascribed to Guṇāḍhya; हरलीले� नो यस्य विस्मयाय बृहत्कथा (haralīleva no yasya vismayāya ṛhٰ첹ٳ) Hch.
ṛhٰ첹ٳ is a Sanskrit compound consisting of the terms ṛh and 첹ٳ (कथ�).
: Cologne Digital Sanskrit Dictionaries: Cappeller Sanskrit-English Dictionaryṛhٰ첹ٳ (बृहत्कथा).—[feminine] the large narrative, T. of a work.
: Cologne Digital Sanskrit Dictionaries: Aufrecht Catalogus Catalogorum1) ṛhٰ첹ٳ (बृहत्कथा) as mentioned in Aufrecht’s Catalogus Catalogorum:—by Guṇāḍhya. Mentioned by Daṇḍin Oxf. 204^a, by Somadeva Oxf. 151^b, by Dhanaṃjaya Oxf. 203^a, by Dhanika on Daśarūpa 4, 32.
2) ṛhٰ첹ٳ (बृहत्कथा):—[anonymous] ṭm. 7. . 41.
3) ṛhٰ첹ٳ (बृहत्कथा):—‘different from those known.� (?). Asb. 1893, 254 ([fragmentary]).
4) ṛhٰ첹ٳ (बृहत्कथा):—in verse. Asb 193, 254 (Adhyāya 1 and a part of the second).
: Cologne Digital Sanskrit Dictionaries: Monier-Williams Sanskrit-English Dictionaryṛhٰ첹ٳ (बृहत्कथा):—[=ṛh-첹ٳ] [from ṛh > bṛṃh] f. ‘great narrative�, Name of a collection of tales ascribed to Guṇāḍhya (from which the Kathā-sarit-sāgara of Somadeva is said of another [work])
[Sanskrit to German]
Sanskrit, also spelled संस्कृतम� (ṃsṛt), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Brihat, Katha, Kitta.
Starts with: Brihatkathamanjari, Brihatkathasara, Brihatkathasarasamgraha, Brihatkathashlokasamgraha, Brihatkathavivarana.
Full-text (+1602): Brihatkathamanjari, Gunadhya, Brihatkathashlokasamgraha, Brihatkathavivarana, Brihatkathasarasamgraha, Vasudevahindi, Gunanty, Kshemendra, Shukabrihatkatha, Katyayana, Bhutabhashamaya, Naravahanadatta, Satavahana, Pirukatkatai, Kathasaritsagara, Vetalapancavimshatika, Vetalapancavimshati, Kanabhuti, Atidvaya, Brihatprayoga.
Relevant text
Search found 40 books and stories containing Brihatkatha, Brihat-katha, ṛhٰ첹ٳ, Brhatkatha, Brhat-katha, ṛh-첹ٳ; (plurals include: Brihatkathas, kathas, ṛhٰ첹ٳs, Brhatkathas, 첹ٳs). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Brihatkatha-kosha (cultural study) (by Himanshu Shekhar Acharya)
5. Indian Narratives literature, broadly classified < [Chapter 1 - Introduction]
9. Jain Narrative Literature < [Chapter 1 - Introduction]
10. Leading Fiction—Motifs in Jain Stories < [Chapter 1 - Introduction]
Glories of India (Culture and Civilization) (by Prasanna Kumar Acharya)
Introduction to Story books < [Chapter 7 - Original literatures]
Introduction to Novels and stories < [Chapter 7 - Original literatures]
Index < [Chapter 7 - Original literatures]
Glimpses of History of Sanskrit Literature (by Satya Vrat Shastri)
Chapter 18.2 - Recensions of the Brihatkatha and other Katha literature < [Section 4 - Classical Sanskrit literature]
Chapter 17.2 - Sanskrit Prose literature: Subandhu < [Section 4 - Classical Sanskrit literature]
Chapter 17.3 - Sanskrit Prose literature: Bana and the Kadambari < [Section 4 - Classical Sanskrit literature]
The backdrop of the Srikanthacarita and the Mankhakosa (by Dhrubajit Sarma)
Part 5 - Some prominent Kashmiri Sanskrit poets < [Chapter I - Introduction]
Kathasaritsagara (the Ocean of Story) (by Somadeva)
Foreword to volume 4 < [Forewords]
Note on the Paiśāchī language < [Notes]
Yasastilaka and Indian culture (Study) (by Krishna Kanta Jandiqui)
Chapter 17b - Other Jain legends
Part 1 - Poets mentioned in the Yasastilaka < [Chapter 18 - Quotations nad References]