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Preksha meditation: History and Methods

by Samani Pratibha Pragya | 2016 | 111,074 words

This page relates ‘Outline of the Chapters of the Thesis� of study dealing with Preksha-Dhyana: a meditation technique created by Acharya Shri Mahapragya (Acarya Mahaprajna) in the late twentieth century. It synthesizes ancient Jain ascetic methods, ritualistic practices, and modern scientific insights, appealing to a global audience. The thesis explores its historical context, theoretical foundations, and the rise of contemporary Jain meditation systems.

10. Outline of the Chapters of the Thesis

Chapter 2 presents a brief overview of the history of meditation in Jainism, starting with an analysis of the accounts of the meditative practices of Ѳ屹ī. It provides an outline of the practices of meditation attested in Jaina canonical, classical, medieval and early modern texts and an assessment of the Buddhist and Hindu influences on Jaina meditation.

Chapter 3 examines customary meditational practices performed within the Terāpanth sect (founded 1760), which were influential in the subsequent development of ṣ�-Բ. This chapter consists of three main parts. First, it examines meditative practices in early Terāpanth from 1751�1881, including the practices of holding one’s breath (Rāj. ṃs-ṅd), tolerating extreme heat from the sun () and abandonment of the body (dzٲ), as well as Jayācārya’s meditation.

The second part of chapter three describes the historical context from 1944�1975, the motivations, intentions and personal practices of ճܱī and Mahāprajña which led to the development of ṣ�-Բ. It reconstructs the historical stage of the development of this new meditational system, which includes textual studies, various meditative practices of pre-ṣ�-Բ camps (ś), meditative experiments and other innovative approaches. For example, the incorporation of modern scientific knowledge in the field of Jaina meditation. This led to a planned reinvigoration of Jaina meditation, which gained traction within the monastic and lay Terāpanth community and later beyond it. The third part describes the launch of ṣ�-Բ in 1975.

Chapter 4 investigates the way in which the fully developed system of ṣāԲ� has been constructed. It examines the building blocks of ṣ�-Բ. It demonstrates that Mahāprajña drew on various types of sources for the construction of ṣ�-Բ. In this thesis, I discuss seven types of sources: (i) Jaina textual accounts of meditative practices; (ii) elements of Hindu yoga systems; (iii) elements of Buddhist meditation; (iv) āyurvedic concepts; (v) astronomical elements; (vi) modern science; and (vii) reflections on his own experiences and explorations. The chapter will highlight the formulation of the methods of ṣ�-Բ with reference to modern science, a decisive shift in Jaina monastic doctrine.

Finally, chapter 5 focuses on other forms of modern Jaina meditation, since there are a number of other Ś峾 Jaina sects who have also developed new forms of meditation in the twentieth century. Within the ūپūᲹ첹 tradition, it investigates three meditative systems, namely ‘Jain Meditation� by Gurudeva Citrabhānu (b. 1922), Բ-ٳԲ (Support-Meditation) by Bhadraṅkaravijaya (1903�1975), and Sambodhi-ٳԲ (Enlightenment-Meditation) by Muni Candraprabhasāgara (b. 1962). It also examines three new systems from the ٳԲ첹ī tradition: Araham-Yoga (Yoga/Meditation on the Omniscient) of Āⲹ śī ܳ (1926�1994), SamīkṣaṇaٳԲ (Analytical Meditation) of Āⲹ Nānālāla (1920�1999), and Āٳ-ٳԲ (Self-Meditation) by Āⲹ Śivamuni (b. 1942). All these modern meditation systems are presented in a chronological sequence and compared with ṣ�-Բ. The chapter assesses the reasons for the current proliferation of new systems of meditation in the Jaina tradition.

Conclusion

I consider Prekṣ�-Բ is an innovative modern system of meditation, manifestly different from older methods of meditation in the Jaina tradition. The rest of the chapters will show how in Jaina literature the traditional forms of meditation developed over the ancient, classical and medieval periods, and how these received theories and techniques contrast with modern Jaina meditation methods, such as ṣa-Բ.

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