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female counterparts of the a峁ａ弓adikp膩岣穉s have been comfortably accommodated in the pidh膩 mundi niches of the upper j盲ngha. They are all in seated postures with their respective mounts and directions. Different incarnations of dev墨 Durg膩 are also depicted in the niches of the upper jangha. The central niches of the three sides of b盲岣峚 are housed with dev墨 images as side deities of the temple. The baranda portion of the b膩岣峚 consists of ten horizontal decorative mouldings, which are relieved with scroll works, lotus petals, flower medallions, kirtimukha designs and stylish geese. The ba岣峚 of the vim膩na is surmounted by the curvilinear spire, which continues the pancaratha plan of the ba岣峚. The base of the gandi is decorated with a series of anga艣ikharas. The kanika pagas of the gandi contains seven bh奴mi ama岣纺乻 in its surface. Two vajra mastakas are super-imposed one above another at the base of the kanika pagas of gandi. The r膩h膩 paga of the ga峁囜笉i contains four anga艣ikharas on each side. The base of the r膩h膩 paga contains three angasikharas, one slightly big at the centre and other two small angasikhara are flanked on either side of the central angasikhara. There is another anga艣ikhara superimposed on the central angasikhara of the r膩h膩 paga. The middle portion of the western side r膩h膩 paga is finely projected with the s膩rdu岣穉 headed motif. The jhap膩 -si峁僪a motif is projected on the middle portion of the eastern side of the r膩h膩 paga. Deu岣穉 C膩ri峁嚹� figures are inserted in the four cardinal directions of the beki above r膩h膩s. They are the supporting elements of the amalakasi岣纺� of the mastaka. The mastaka of the vim膩na consists of beki, ama岣穉ka艣il膩, khapur墨, ka岣穉sa and ayudha (cakra). Here the finial or dhvaja of the mastaka is not found from the top of ayudha. The sanctum of the vim膩na preserves the image of goddess Vima岣纺� as the presiding deity of the temple. Dev墨 Pur膩峁嘺 gives the iconographic features of goddess Vima岣纺�. The image of Vima岣纺� enshrined in the temple bears some typical iconographic characteristics leading one to assign it to the Bhauma art phase." The four armed image of goddess Vima岣纺� is in standing posture on a lotus pedestal. The image of goddess Vima岣纺� is carved in black-chlorite and it measures approximately five feet in height.5 She holds ak峁�am膩岣纺� in upper right hand, ph膩sa (noose) in upper left hand (or a human figure), an am峁泃aka岣穉sa (艣udhaka岣穉sa) in left lower hand and varada mudra in the lower right hand(Pl.No-43). According to Lokan膩tha Puj膩 Panda, the lower left hand possesses a drinking vessel. There is a 241