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Essay name: Temples of Purushottama Kshetra Puri

Author: Ratnakar Mohapatra
Affiliation: Sambalpur University / Department of History

This essay studies the Temples of Purushottama Kshetra (Puri) which is renowned for its historic and religious significance, situated in Orissa (Odisha) by the Bay of Bengal. Purusottama-ksetra is famous for the Lord Jagannatha temple and numerous smaller temples, it showcases the distinctive Kalinga architectural style.

Chapter 5 - Shaiva Temples of Purushottama Kshetra

Page:

23 (of 66)


External source: Shodhganga (Repository of Indian theses)


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Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 23 has not been proofread.

Vimāna The vimana of the Mārkaṇḍeśvara temple is a panca-ratha rekhā deuḷa and its height is about 50 feet from the surface of the temple complex.52 The bāḍa of the vimāna is pancānga type i.e. having five fold divisions such as pabhāga, tala- jāngha, bandhanā, upper jāṃgha and baranda. The pābhāga of the bāḍa consists of conventional mouldings of khurā, kumbha, pattā, kāni and basanta. The intervening recesses between the pagas of tala-jangha are filled with various vidaḷas such as simha-vidaḷas and gaja-vidaḷas. The bandhana of the bāḍa consists of three horizontal mouldings. In a niche of the southern side upper jangha is housed with a figure of Mārkaṇḍa, a boy of seven years old. The intervening recesses in the pagas of upper jāngha are filled with amorous couples and dancing female figures with different postures. The central niches of the three sides of the bāḍa are housed with pārsvadevatā images of Ganeśa, Kārtikeye and Pārvatī. There is a nisä-shrine of piḍhā order in front of the northern side pārsvadevatā (Pārvati) and its height is about 20 feet from the surface of the temple complex. The baranda of the bāḍa consists of four plain horizontal mouldings. The rampant lion on sārduḷa headed motif is projected on the centre of each side of the baraṇḍa. The curvilinear superstructure is surmounted on the bāḍa of the vimāna. The gandi of the vimāna displays five pagas and it is thickly plastered with lime mortar (Pl.No-8). The base of the gandi is decorated with a series of angaśikharas. The central or rāha paga of each side of the gandi is relieved with three angasikharas, one big (angasikhara) at the centre and two small angaśikharas are flanked on either side of the central angasikhara, which is surmounted by the gaja- krānta motif (lion on croachant elephant). The upper part of the gandi is devoid of decorative ornamentation. Dopichha lions have been fixed on the top of kanika pagas of the gandi. Deula Cāriṇ� figures are fixed at the four cardinal directions of the beki above rāhās. These figures are acting as the supporting elements to the amalakasila of the mastaka. The mastaka of the vimāna consists of beki, amaḷakaśiḷ�, khapurī, kaḷasa, ayudha (cakra) and dhvaja. The presence of cakra (ayudha) indicates that the temple was also enshrined by theVaisnavite deity. The sanctum preserves the Sivalinga within Śaktipitha as the presiding deity of the temple. The presiding deity (Lingam) has been worn away by daily 195

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