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to the strength and dignity of the entire scheme. The khur膩 is shaped like a horse-hoof and decorated with vanalat膩 designs and scroll works in its bottom part. The khur膩s have niches in the central facets capped by vajra mundis. In each paga, it has a kirita design and figures of royal personnel. The kumbha is designed like pitcher. The kani is plain but patta and basanta are richly carved. The sculptural friezes of the patta depict procession of various animals mostly war animals intervened by procession of foot soldiers with general seating on a palanquin and giving certain directions. The patt膩 portion of p膩bh膩ga displays a sculptured panel containing episodes from the life of Lord K峁涐梗峁嘺. Some noteworthy scenes among these are Saka峁��� bh枪ga, K膩峁琲ya da岣穉na, lifting of Govardhan Mountain, fighting with Kesin, Kubalay膩 and Ari峁ａ弓a etc. The vertical bands are relieved with rich scroll works and two female figures one above the other. The lower jangha of ba岣峚 is decorated with kh膩khar膩 mundis (miniatures temples of kh膩khar膩 order) in the kanika and anuratha pagas. The kh膩khar膩 mundi niches of the kanika paga are housed with seated figures of a峁�ta-dikp膩las (guardian deities) while the kh膩khar膩 mundi niches of the anuratha paga are housed with seated 膩c膩ryas (teachers) who are teaching their disciples. The intervening recesses between the pagas of ta岣穉 j盲ngha are filled with various types of vida岣穉s i.e. lion on elephant, lion with elephant trunk rampant on warrior. The bandhana of the b膩岣峚 consists of three horizontal mouldings joined by vertical bands, which are relieved with standing figures of a岣穉sakany膩s (maidens). The upper j膩ngha is decorated with pi岣峢膩 mun岣峣s (miniature temples of pi岣峢膩 order), which contain various deities mostly Vai峁ａ箛avite in character including the ten incarnations of Lord Vis峁噓 such as Matsya, Kurma, Var膩ha, Narasimha, V膩mana, Para艣ur膩ma, R膩ma, Ba岣穉r膩ma, Buddha and Kalki. Lord K峁涐梗峁嘺 is playing on his flute and other manifestations of Lord Vis峁噓 are the theme of the other mundis. The consorts of the asta-dikp膩岣穉s, which are generally seen in the pi岣峝h膩 mundis of the 13th century temples, are not found in the pidh膩 mundis of the upper jangha of Jagann膩tha temple. The intervening recesses between the pagas in upper j膩ngha are relieved with figures of a岣穉sakany膩s in different postures like holding a lotus, removing anklet, holding c膩mara, fondling child etc. It is interesting to know that all the sixteen 86