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Essay name: Temples of Purushottama Kshetra Puri

Author: Ratnakar Mohapatra
Affiliation: Sambalpur University / Department of History

This essay studies the Temples of Purushottama Kshetra (Puri) which is renowned for its historic and religious significance, situated in Orissa (Odisha) by the Bay of Bengal. Purusottama-ksetra is famous for the Lord Jagannatha temple and numerous smaller temples, it showcases the distinctive Kalinga architectural style.

Chapter 2 - Characteristics features of Orissan Temples

Page:

41 (of 60)


External source: Shodhganga (Repository of Indian theses)


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Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 41 has not been proofread.

Kartikeya generally has his coiffure arranged in the sikhāṇḍaka mode, consisting of looped- meshes, characteristic of boyhood and is richly bejeweled with the foremost ornament being the vyāghranakha, necklace of tiger-claws and tortoise pendants. He holds the śakti in one of his hands and is accompanied by his peacock-mount who frequently trods on a serpent. Towards the end of the 9th century AD the kukuṭa (rooster cock) is added as an attribute, which he holds in one of his hands. On later standing images, the kukuṭa is invariably held in the major left hand near his hip while a small image of Devaseṇ� stands below holding its feet with her uplifted right hand. In most of the early images of Kartikeya hold a vija-puraka (ball of meal) in one of his hands while in several late examples the śakti is replaced by a trident. Śākta Images:- The extant Śākta images in Orissa are also quite numerous. It will be difficult even to give a short account of all these images and here only a brief references can be made to the important forms of the devī. Pārvatī in a standing pose is usually placed as the pärsvadevatā in a Śaiva shrine and fine chlorite images of the goddess are known from the Somavaṃsi times. As an example, we may refer to the very beautiful image of Pārvatī in the northern niche of the Lingarāja temple. Besides being worshipped as the presiding deity, Mahisamardini is also known in the role of the pārśvadevatā. Two armed figure of Mahisamardini from the Virajā temple, assigned to the Gupta period shows the earliest form of the goddess in Orissan art. Beginning with a two-armed image the form developed into four armed image, eight armed and ten-armed ones with characteristic attributes. Again Mahisamardinī images can be divided into three distinct types taking into account the changes in the form of the buffalo demon. In the early images the demon appears in buffalo form, next he is shown with human body and buffalo head; and finally the form crystallizes into human form issuing out from the decapitated trunk of a buffalo. The important images of Mahisamardini are known from Bhubaneswara (Vaitāḷa, Śisireśvara and Lingarāja temple compound), Khiching, Orasāhi, Vateśvara (Bhagabati compound), Śukleśvara, Adaspur, Motiā, Ambapadā and other places. 63

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