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Essay name: Musical Instruments in Sanskrit Literature

Author: S. Karthick Raj KMoundinya
Affiliation: University of Madras / Department of Sanskrit

The essay studies the Musical Instruments in Sanskrit Literature and its relationship with the South Indian musical tradition. The study emphasizes the universal appeal of music and documents how it pervades various aspects of life, art, literature, painting, and sculpture.

Chapter 3 - Musical Instruments of India (with reference to Sanskrit literary sources)

Page:

113 (of 114)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 113 has not been proofread.

226 3
.11.3 Kāthāsaritasāgara of Somadeva
Kāthāsaritsāgara is an exhaustive work of Indian fairy tales and it
gives ample references towards musical instruments. In his article.
'Music in Kāthāsaritsāgara of Somadeva' Dr.C.S.Sundaram, enlists that
mention is made of several kinds of drums such as Dindima (XII x.82
XVII ii.79), Dundubhi (III iv.48), Paṭaha (XII xxvii.95), Muraja (XII xxx.6),
Bheri (XIV ii.163) and Mrdanga (VII iv.26).
The Kathāsaritasāgara speaks of four types of instruments as the
embodiment of songs and music.
चतुर्विधेन वाद्ये� गानगन्धर्वयोगिना
[caturvidhena vādyena gānagandharvayoginā
]
Kathāsaritasāgara 18-4-132
Ghana vādyas, namely the Kāmsya Tāla is referred which
mentions the cymbals being struck together and describes its shape to be
cup-like.
अन्योन्यघट्टितैः पुष्पै� कांस्यतालवतीरि� �
सङ्गीता इव भृङ्गीना� विरुतैर्वातवेपिताः �
[anyonyaghaṭṭitai� puṣpai� kāṃsyatālavatīriva |
saṅgītā iva bhṛṅgīnā� virutairvātavepitā� ||
]
Kathāsaritasāgara 16-1-10
Madanamañjarī, a Yakṣ�, worshipping Śiva plays the Vīṇ� in the
Dakṣiṇa mārga, along with svara, pada and tāla.
आलम्ब्� दक्षिण� मार्गं स्वरतालपदैस्तथ� �
अवधाने� सा सम्यग्गायन्ती तामवादयत� � [ālambya dakṣiṇa� mārga� svaratālapadaistathā |
avadhānena sā samyaggāyantī tāmavādayat ||
]
Kathāsaritasāgara 18-1-121

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