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significant corpus of performance theory are contained in the
膧峁�峁璦prak膩ram and Kramadipika of the particular plays prescribed which
are uniform in Malayalam. The bodily acting in the K奴峁璱y膩峁�峁璦m is based on
the Kerala text of Hastalak峁�a峁嘺 dipika which is based on the N膩峁瓂a艣膩stra
of Bharatamuni.
Apart from this the study of Sanskrit language is commenced right
from the beginning. In due course the student becomes a good Sanskrit
scholar by learning K膩vyas, N膩峁璦kas, Ala峁僰膩ras etc as well as several
37 艣膩stra branches like Tarka and Vy膩kara峁嘺. Sanskrit and its knowledge
is very essential for the K奴峁璱y膩峁�峁璦m actors. Students learn by heart the
basic Sanskrit texts on grammar like Sidharoopa. By the application of
Mudra or hand gestures in acting, the students are taught how to denote
the Vibakthi, Vacana, Linga etc. of each word, recited.
The study of Amarako艣am is important in K奴ttu and K奴峁璱y膩峁�峁璦m
because it gives the synonyms and different meanings of words. The
actors elaborates the meaning of words and sentences in the K奴峁璱y膩峁�峁璦m.
For example if 'deva' is a word to be acted the actor should know the
different meanings involved in the root like 'Krida', 'Vicikitsa', 'Sobha'. etc.
A skilled K奴峁璱y膩峁�峁璦m actor could express all these meaning relating them
properly to the context of acting. Hence a deep knowledge of 'Ko艣a' is
very important to K奴峁璱y膩峁�峁璦m actors.