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Cosmetics, Costumes and Ornaments in Ancient India

by Remadevi. O. | 2009 | 54,177 words

This page relates ‘Materials for Garments (b): Silk fibers from Silkworms� of the study on cosmetics, costumes and ornaments of ancient India based on Sanskrit sources. Chapter one deals with cosmetics and methods of enhancing beauty; Chapter two deals with costumes, garments and dresses; Chapter three deals with ornaments for humans and animals. Each chapter deals with their respective materials, types, preparation and trade, as prevalent in ancient Indian society.

Go directly to: Footnotes.

1. Materials for Garments (b): Silk fibers from Silkworms

Yarns prepared from the cocoon of silk worms living in certain trees were used to manufacture certain types of clothes. Some of the cloth materials prepared in this way are�

a) śⲹ

According to some scholars, śⲹ is produced from the cocoon of silkworms seen under the leaves of mulberry tree. Our writers have used the term śⲹ mostly in connection with a women’s attire, though the cloth is common for both men and women. ṇiԾ[1] and [2] call all sorts of silk clothes by the term śⲹka. śⲹ clothes were given as presents and offerings. We have descriptions of śⲹ of different colours. The expressions Pītakauśeyavāsinī and Raktakauśeyavāsinī are common. In Ѳٲⲹܰṇa[3], ī in one context is described as dressed in Pītakauśeya.

In Ѳٲ, ܲ󲹻 dressed as a cowherd is described thus�

[...].[4]

b) ʲٰǰṇa

The term ʲٰǰṇa has been defined in many ways. One commentator of ś defines ʲٰǰṇa thus -

[...].[5],

While in the text, ʲٰǰṇa is stated as a washed silk. ṭiⲹ[6] agrees with the interpretation of the commentator. has used the term śⲹ patrorṇa in 岵Ծٰ[7], while describing Mālavikā. On this basis, some people are of opinion that ʲٰǰṇa is perhaps another variety of cloth other than silk and hence in their view, there refers to a cloth having a mixture of two materials.

c) ṃśu첹

ṃśu첹 was used to denote all sorts of garments. Breast clothes were named Stanāṃśuka. Veils also were made of ṃśu첹. ṃśu첹 was dyed in various colours and was printed with different designs and some were gem studded also. These cloths were of different qualities. Some fine and costly variety was generally called as Varāṃśuka or Paṭṭāṃśuka.

We come across Asitāṃśuka or Śyāmāṃśuka (Black), Nīlāṃśuka (Blue), Aruṇāṃśuka (Reddish brown), 鲹ṃśu첹 (Red) etc. in the works of [8] and ṇa[9]. Even though it is a variety of cloth, it is interesting that [10] has always mentioned the term ṃśu첹 in connection with women’s dress. [11] has mentioned a white one, resembling the colour of ś flower. In ūñᲹī[12], we read of a parrot green ṃśu첹. Ѳٲⲹܰṇa[13] attests a yellow coloured one. Red coloured ṃśu첹 was most popular especially among aristocrat ladies. They wore it on ceremonial occasions. In 鲹ٲ屹ī[14], we have a reference to the heroine attired in a ṃśu첹 of red colour. We meet with a lady of high social status clothed in a pair of red ṃśu첹 in 岵ԲԻ岹[15] also. Similarly, ṇa[16] has described the queen ۲śDZī as covering her face with a veil of red ṃśu첹.

ṃśu첹 painted or printed with different figures were called as Citrāṃśuka. References to such types are in plenty. The dress of Śrī characterised by ṇa in Ჹṣaٲ[17] is a Citrāṃśuka, embellished with flower and bird patterns. In another place, ۲śDZī is described as attired in ṃśu첹 of wavy pattern[18]. While describing the dressing of Ṛṣ岹ٳٲ, ṛhٰ첹ٳśǰ첹ṃg[19] compares his floral designed ṃśu첹 to a garden in spring with full blossoms.

d) īṃśu첹

īṃśu첹 is a sub variety of ṃśu첹. As its etymology indicates, the origin of this cloth is ascribed to the country China. It is usually white and shining. īṃśu첹 is defined in Bṛhatkalpasūtrabhāṣya[20] in two ways. As per it, it is either a silk cloth made of the fibres prepared from the worms namely ś or a cloth made in China. īṃśu첹 was employed in both upper garments and lower garments. In addition to its use as garment, īṃśu첹 was a material for royal banners also. It was a texture of people having good financial status and hence to entice the courtesans, such highly priced clothes were presented to them. īṃśu첹 is sometimes called as Cīnapaṭṭa.

Most of our references are to īṃśu첹 of white colour. However, [21] and ṇa[22] have mentioned rainbow coloured īṃśu첹. ṇa[23] has also referred to īṃśu첹 decorated with various patterns. In Ჹṣaٲ, a breast garment in īṃśu첹 is cited[24], which gives indication to īṃśu첹 used as upper garments. Princess , characterized by ٲṇḍ[25] in the story of Apahāravarman in ٲśܳٲ is seen as clothed in a lower garment of īṃśu첹.

e) ʲṭṭ

ʲṭṭ is mentioned as a soft silk texture usually worn by aristocrats. It is also known as ʲṭi. Some writers use the term ʲṭṭ in the sense of ٳܰū. Use of ʲṭṭ is usually seen in lower garments.

Footnotes and references:

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[1]:

. ṣṭī, 6.3.42

[2]:

. 岵Ծٰ, p.105; Ṛtܲṃh, V.8

[3]:

. 157.14

[4]:

. Ā徱貹, 221.19

[5]:

. 2.6.113

[6]:

. India as Seen in the ṛhٲṃh of ղ󲹳󾱰, p.225

[7]:

. Act V

[8]:

. Ṛtܲṃh, VI.19, վǰśīⲹ, III.12

[9]:

. Ჹṣaٲ, p.146, 32

[10]:

. Ṛtܲṃh, I.7, IV.3; վǰśīⲹ, III.12; 鲹ܱṃśa, VI.75, XI.4.26; ܳ󲹱, I.14

[11]:

. ʰپṭa첹, Prologue

[12]:

. Act III

[13]:

. 162.324

[14]:

. I.20

[15]:

. Act IV

[16]:

. Ჹṣaٲ, ۲śDZīvarṇana

[17]:

. p.114

[18]:

. Ibid

[19]:

. pp.25,100

[20]:

. DAOAI, p.23

[21]:

. ܲīⲹ (ܲīⲹ),16.58

[22]:

. Ჹṣaٲ, p.78

[23]:

. Ibid, IVth

[24]:

. Ibid, Vth

[25]:

. ٲśܳٲ, p.97

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