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The art of decorating one with cosmetics and ornaments is one among the list of sixty-four arts. This art is known by different names like Pras膩dhanakal膩, Pras膩dhanavidhi, Ala峁卥膩ravidhi, Ma峁囜笉anavidhi, Pratikarma and Bh奴峁�a峁嘺yojana. Body was decorated either completely or partly, i.e., face alone. Facial decoration was called Mukhapras膩dhana. There was even a society of decorators or beauticians, who were expert in their field. Both men and women acquired knowledge in this art. These beauticians were known by various names. Generally a male decorator was known as Pras膩dhaka and a female decorator Pras膩dhik膩.

笔腻峁噄苍颈^[1] calls a male beautician as Anulepaka, 惭腻濒补产丑腻谤墨 etc. and a female beautician as Anulepik膩, Vilepik膩, Pralepik膩, M膩labh膩ri峁嚹� etc. Of these 惭腻濒补产丑腻谤墨 and M膩labh膩ri峁嚹� are servants, who adorn one with garlands. We have plenty of references to male and female decorators. We meet with Anulepaka in 痴腻濒尘墨办颈-谤腻尘腻测补峁嘺^[2] frequently. 惭补苍耻蝉尘峁泃颈^[3] speaks of a professional Pras膩dhaka. In 碍耻尘腻谤补蝉补尘产丑补惫补^[4], we read of Pras膩dhika decorating 笔腻谤惫补迟墨 on the wedding day. Royal dignitaries also acquired knowledge in this art. In 惭补丑腻产丑腻谤补迟补^[5], 顿谤补耻辫补诲墨 is described in one place as preparing some unguents for 碍耻苍迟墨. In another context, we meet with 顿谤补耻辫补诲墨 as the 厂补颈谤补苍诲丑谤墨 of 痴颈谤腻峁璦鈥檚 queen. This 厂补颈谤补苍诲丑谤墨 is a female attendant, who should be well versed in such arts.