Amaravati Art in the Context of Andhra Archaeology
by Sreyashi Ray chowdhuri | 2018 | 90,477 words
This page relates 鈥榊aksha art from Amaravati鈥� of the study on Amaravati Art in the Context of Andhra Archaeology, including museum exhibitions of the major archeological antiquities. These pages show how the Buddhist establishment of Amaravati (Andhra Pradesh) survived from 4th century BCE to 14th century CE. It includes references and translations of episodes of Buddha鈥檚 life drawn from the Avadanas and Jatakas which are illustrated in Amaravati art.
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Yak峁 art from 础尘补谤腻惫补迟墨
An iconoplastic reproduction of a headless seated 测补办峁 from 础尘补谤腻惫补迟墨 bears some akinness to a terracotta 测补办峁 from Chandraketugarh. The 础尘补谤腻惫补迟墨 测补办峁 is defaced and has a prominent paunch like the terracotta piece. The terracotta 测补办峁 is stylistically assigned to the Su峁単a period[1].
Footnotes and references:
[1]:
Sarma I.K, 1985, Op.cit, p 18.