365bet

Amaravati Art in the Context of Andhra Archaeology

by Sreyashi Ray chowdhuri | 2018 | 90,477 words

This page relates ‘Matakabhatta Jataka� of the study on Amaravati Art in the Context of Andhra Archaeology, including museum exhibitions of the major archeological antiquities. These pages show how the Buddhist establishment of Amaravati (Andhra Pradesh) survived from 4th century BCE to 14th century CE. It includes references and translations of episodes of Buddha’s life drawn from the Avadanas and Jatakas which are illustrated in Amaravati art.

Go directly to: Footnotes.

[Full title: ٲ첹 and Բ in the 屹ī Art: Matakabhatta Jātaka]

Story:-

When Brahmadatta was the king of Banaras a learned 󳾲ṇa desired to perform a feast for the dead. He got a sacrificial goat. With the instruction of the father the son took it to the river for sacrifice. The goat remembering of its past deeds cried for freedom from the past misery. At the same time it wept bitterly thinking that the 󳾲ṇa would suffer the same misery by killing it. The goat said to the 󳾲ṇa that in his past life he offered the sacrificial goat to fulfill the feast for the dead. For this sin he had to take the life of a goat to be killed in the same manner. For this sin he had to take birth for four ninety-nine times and the present one being 500th birth would give him freedom. He wept visualizing the same penalty to be imposed on the 󳾲ṇa for killing him. The 󳾲ṇa then decided not to kill him. But the goat replied that he cannot escape from death that day. The 󳾲ṇa decided to guard him. The moment the goat was set free it reached out its neck to brouse on the leaves on a bush. Soon after that a thunderbolt struck the rock cutting off a mass which hit the goat’s neck and tore it off[1].

Depiction:-

The ٲ첹 is identified on a dome panel of the Ѳ峦ٲⲹ at 屹ī preserved in the British Museum. The panel represents the static monoscenic narrative of the ٲ첹. It shows a princely figure seated in 󲹱貹ⲹṅkԲ on a throne with his consort. Below the throne is a dwarf figure. The animal which looks like a ram rather that the goat is shown bending his head. There are women behind the throne observing the scene[2].

The depiction of this ٲ첹 is also seen on three different panels from 岵ܲԲṇḍ.

Footnotes and references:

[back to top]

[1]:

Cowell E.B, 1973, Op.cit, Vol I-II, No. 18, pp 51-53

[2]:

Subrahmanyam, B, Op.cit, pl 28, pl 28a

Let's grow together!

I humbly request your help to keep doing what I do best: provide the world with unbiased sources, definitions and images. Your donation direclty influences the quality and quantity of knowledge, wisdom and spiritual insight the world is exposed to.

Let's make the world a better place together!

Like what you read? Help to become even better: