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Jan., 1970] VAMANA-TRIVIKRAMA IN INDIAN ART 53 In the Parvati temple compound at Nachna Kuthara in
Madhya Pradesh is a 10th century Vamana-Trivikrama image
(Figs. 4-5).
V膩mana in this is two-armed and is standing. He carries a
staff in his right hand and his left hand is near the waist in the
kat yavalambita posture. He wears a sacred thread and a loin-cloth.
The Lucknow Museum possesses a V膩mana image which
originally comes from somewhere in Uttar Pradesh (Fig. 6).
V膩mana stands in samapadasthanaka on a pedestal. He is
apparently two-armed but might have been four-armed. His right
hand is in the blessing gesture, the left arm is broken from the
elbow. He wears necklaces, a sacred thread, a waist-cord and a
waist-cloth, a vaijayanti garland, arm-bands, bracelets of rudraksas,
and anklets. He has the 艣rivatsa mark on his breast, and is accom-
panied by six attendants.
A Vis峁噓 image from Singpur in Madhya Pradesh, of the
middle of the 10th century, contains a representation of V膩mana
(Fig. 7-8). The god is standing in his place in company of other
incarnations. He is in tribhanga. He is two-armed, the right hand
is in the abhayamudra and left carrying a chatra He wears a sacred
thread, h盲ras and a kaup墨na.
The last to be described is a sculpture in the Bharat Kala
Bhavan, Varanasi (Fig. 9). This is an image of the 10th century.
The god is standing against a stele in samapadasthanaka on a lotus
pedestal. He has a squat figure. The back right and left hands of
this four-armed image carry a mace and a wheel; the front right
is in the gesture of blessing, and the left carries a conch. There is
a tilaka mark on the forehead. The god wears kiri峁璦-crown, ear-
rings, necklaces, a sacred thread, a vaijayanti garland, armlets,
bracelets, a waist-cloth and anklets.
M
There are a few attendants to accompany this image, among
whom Sarasvati may be recognised by the vi峁嘺 in her hands; she
is standing on V膩mana's left.