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A NOTE ON SYLVAIN LEVI'S INTERPRETATION OF 'TATO JAYAM UD莫RAYET'. The benedictory stanza '啶ㄠぞ啶班ぞ啶�啶｀�� 啶ㄠぎ啶膏�嵿�曕�冟い啷嵿�� 啶ㄠぐ啶� 啶氞�堗�� 啶ㄠぐ啷嬥い啷嵿い啶�啶�啷� | 啶︵�囙さ啷�啶� 啶膏ぐ啶膏�嵿さ啶む��啶� 啶掂�嵿く啶距じ啶� 啶むい啷� ( [n膩r膩ya峁嘺峁� namask峁泃ya nara峁� caiva narottamam | dev墨峁� sarasvat墨峁� vy膩sa峁� tato (] v. 1. 啶氞�堗��) 啶溹く啶�啷佮う啷�啶班く啷囙い啷� 啷� [caiva) jayamud墨rayet ||] ' which is given at the beginning of the critical text of the V膩mana-Pur膩峁嘺, is well-known. It is the famous Sloka of the Bh膩gavatas with which not only the each Parvan of the Mah膩bh膩rata begins, but some of the Pur膩峁嘺s also contain it in their beginning. B眉hler recognised and pointed out its religious significance when he remarked: 'It is a characteristic mark of the works of the ancient Bhagavata-sect, where it is in- variably found.' (Indian Studies, No II p. 4, n. 2). It is generally placed in the beginning of the works which are considered to have been composed by Vy膩sa and are by Vy膩sa and are more Vaisnavite in their character. Hence in this stanza an obeisance is also made to Vy膩sa in addition to Nar膩ya峁嘺, Nara and Goddess Sarasvati. The last p膩das of this stanza ( '啶むい啷� 啶溹く啶�啷佮う啷�啶班く啷囙い啷� [tato jayamud墨rayet] ' ) aroused some controversy as to its correct interpretation. Prof. Sylvain Levi gave to it a unique interpretation in his article published in the Memorial Sylvain Levi (Paris, 1937); an English version of this article was published in Purana, Vol. 2 (1960) pp. 112-119. The contro- versy centers round the two words of this pada, viz. 褔 and ''. Prof. S. Levi has partially quoted the interpretations of this benedictory stanza as given by Nilakantha in his commentary of the Adi-Parvan of the Mah膩bh膩rata and by P. C. Roy in his translation. Nilakantha's interpretation of the p膩da 鈥樎睹犅�陋脿陋L' is as follows:- 啶むい啷� 啶掂�嵿く啶距お啷嵿い啶膏�嵿い啶�啷堗�� 啶膏ぐ啶膏�嵿さ啶む�嵿く啶� 啶�啶班ぎ啶曕ぞ啶班�佮ぃ啶苦�曕く啶� 啶溹え啶�啷嬥ぇ啶距く啶距さ啶苦し啷嵿�熰�� 啶溹く啶�啷� [tato vy膩ptastayaiva sarasvaty膩 paramak膩ru峁噄kay膩 janabodh膩y膩vi峁ａ弓o jayam ] '啶溹く啷� 啶ㄠぞ啶�啷囙い啶苦す啶距じ啷嬥そ啶�啶�啷� [jayo n膩metih膩so'yam] ' 啶囙い啶� 啶掂�曕�嵿し啷嵿く啶�啶距ぃ啶む�嵿さ啶距い啷� 啶溹く啶膏�傕�溹�嵿�炧�� 啶�啶距ぐ啶むぞ啶栢�嵿く啶�啶苦い啶苦す啶距じ啶� 啶掂ぞ 啶呧え啷嵿く啶� 啶掂ぞ 啶�啷佮ぐ啷佮し啶距ぐ啷嵿ぅ啶�啷嵿ぐ啶むた啶�啶距う啶曕�� 啶椸�嵿ぐ啶ㄠ�嵿ぅ啶� 啶多ぞ啶班��- [iti vak峁�yam膩峁嘺tv膩t jayasa峁僯帽a峁� bh膩rat膩khyamitih膩sa峁� v膩 anya峁� v膩 puru峁Ｄ乺thapratip膩daka峁� grantha峁� 艣膩r墨- ] P. C. Roy translates this stanza thus: Having bowed down to N膩r膩ya峁嘺 and Nara, most exalted male being, and also the goddess Sarasvati, must the word 'success' be uttered'. Sylvain Levi rejects both these interpretations. He also does not accept the meaning attributed by Nilakantha to the word '' and calls it as 'purely scholastic and even imaginary which can never be justified by the actual usage of the word in the 20