Essay name: Purana Bulletin
Author:
Affiliation: University of Kerala / Faculty of Oriental Studies
The "Purana Bulletin" is an academic journal published in India. The journal focuses on the study of Puranas, which are a genre of ancient Indian literature encompassing mythological stories, traditions, and philosophical teachings. They represent Hindu scriptures in Sanskrit and cover a wide range of subjects.
Purana, Volume 11, Part 2 (1969)
93 (of 150)
External source: Shodhganga (Repository of Indian theses)
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July, 1969] THE IMAGE OF SARASVATI 291 Mahavidyā, Guhyavidyā, Ātmavidyā, Ānvikṣikī,
Yajñavidyā, Mahavidyā,
Trayī, Vārtā and Daṇḍanīti¹
The conception of the five faces of Sarasvati may be extended
to the five Vedas in which Natyasastra is included according to the
new conception of the fifth Veda. Perhaps it has been reckoned
so, because it embraces all the branches of arts and sciences 2 So
this fifth Veda may be said to represent one of the faces of Sarasvati
obviously with the fact that she (Sarasvati) is also said to represent
the various arts and sciences and, therefore, appropriately is called
'sarvasangītasandhānatāla kāraṇarūpiṇ�.¹
4. The number of her hands and the objects held by them.
The number of hands of Sarasvati differs from place to place
in the Purāṇas. It is really very interesting to take them all into
account. In the Purāṇas, Sarasvati is mostly alluded to as having
four hands. But by some of her Puranic epithets like 'Vīṇāpusta-
kadhāriṇ�, she seems to have two hands having a lute (Vīṇ�) and
a book (Pustaka). The Matsya-Purana, while prescribing certain
rules for making the images of the various gods and goddesses states
that Sarasvati like Brahmā, should be made as having four hands.6
Like the Matsya, the Agni-Puraṇa also prescribes that the image of
goddess Sarasvati should be made as having a book (Pustaka), a
rosary (Akṣamālā), a lute (Vīṇ�) and a water-vessel (Kumbhābja)
in her respective hands."
In the Visṇudharmottara-Puraṇa, as in the other Purāṇas, a
number of references puts forth her iconic character. At one
place, she is described as having four hands. In her two right
hands, she holds a book and a rosary, while in her two left hands
she bears a water-vessel and a lute.8 Elsewhere also she is pictured
1. Vi�. P. I. 9.120-21, Pd. P.V. 27.118, also cf. Ramaprasad Chomda,
The Indo-Aryan Races, A study of The Origin of the Indo-Aryan peiple
and Inititutions, (Rajshahi, 1916), pp. 228-330.
2. Nat §. I. 15-6.
3. I. Dowson, A classical Dictionary of Hindu Mythology, (London,
1961), p. 284.
4. BVP. II. 1.34.
5. BVP. II. 1. 35, 2. 55.
6. MP. 261.24.
7. AP. 50. 16.
8. Dr. Priyabala Shah, op. cit., p. 225
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