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Yogashikha Upanishad (critical study)

by Sujatarani Giri | 2015 | 72,044 words

This page relates ‘concept of Anahata Sound� of the English study on the Yogashikha Upanishad—a key text from the Krishna Yajurveda, focusing on the pinnacle of Yogic meditation. This essay presents Yoga as a crucial component of ancient Indian philosophy and spirituality and underscores its historical roots in Vedic literature—particularly the Upanishads and Vedant. The chapters of this study are devoted to the faculties of the mind and internal body mechanisms such as Chakras as well as the awakening of Kundalini.

Part 3.3 - The concept of 󲹳ٲ Sound

As in the macrocosm, so too, in the microcosm. All that is told of the universe and cosmic creation, can be applied into the individual.

Our physical and astral bodies, our indriyas and the mind, all should have the sound as their basis. As the penetrate deep into them they should only lead us to sound. As we analyse our individual existence, it should take as to sound before we reach transcendent self.

Idaikkattu chitar, a South Indian mystic, says in effect:

“Before the sound in you gets involved know the substratum of Omkār�.

It clearly indicates that there exists a certain sound within us supporting all our activities and that when once that sound gets involved into its cause, our present earthly life comes to an end.

What can it be other than the sound that is the first manifestation of our self before it appears as the mind and the indriyas?

Normally, when we play our both ears and try to listen within us, we shall near this wonderful sound which goes by the name 󲹳ٲ sound.

󲹳ٲ literally means unbeaten, unstuck. 󲹳ٲ sound is so called because it is not the result of striking or beating certain things like the reasoning of a note on the violin or the ṇ�. It comes from the 󲹳ٲ cakra. Because the 󲹳ٲ sound comes from that cakra, the cakra is so named.

Sound, as it ought to, forms the basis in all the six cakras inside our body. In the lower three cakras, it is not heard clearly since they are controlled by the tattvas earth, fire and water respectively from ū.

tattva predominates the 󲹳ٲ cakra. So we are able to hear clearly and distinctly various sounds at the 󲹳ٲ cakra, the nature of the sound differing according to the disturbance caused by the motion of tattva. At this cakra, we can hear both the sthula and ܰṣm sounds and it depends upon the intensity of our concentration and the quietude in the tattva.

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