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Vishnudharmottara Purana (Art and Architecture)

by Bhagyashree Sarma | 2021 | 59,457 words

This page relates ‘Origin of Dance (Nritta) and Hand-postures (Hasta-mudra)� of the study on the elements of Art and Architecture according to the Vishnudharmottara Purana: an ancient text whose third book deals with various artisan themes such as Architecture, Painting, Dance, Grammar, etc. Many chapters are devoted to Hindu Temple architecture and the iconography of Deities and their installation rites and ceremonies.

Go directly to: Footnotes.

2.1. Origin of Dance (ṛtٲ) and Hand-postures (Hasta-mudrā)

In the վṣṇܻ󲹰dzٳٲܰṇa, an interesting story is narrated in connection with the origin of Dance.

Once two demons named Madhu and ṭa had stolen four Vedas from .[1] Being worried, went to Lord վṣṇ and asked for help.[3] Lord վṣṇ was ready to help and got up from his bed on the śṣa岵 and searched those two demons in the ocean.[4] In that very moment goddess ṣmī noticed the graceful movements of limbs and charming steps of the feet of Lord վṣṇ and she got impressed by it.[5] At the arrival of Lord after completing his task, Goddess ṣmī expressed her feelings in front of the God and asked about the extremely charming strides presented in the water by Lord. Then the Lord said that he had created the ṛtٲ, which should be executed with the graceful movements of limbs, sense organs and the movements of feet.[6]

Thus, Lord վṣṇ created the ṛtٲ. The point to be noted here is that, according to the ṭyśٰ, and the 󾱲Բⲹ岹貹ṇa, lord Ś is the originator of Dance[7] where as the վṣṇܻ󲹰dzٳٲܰṇa accepts Lord վṣṇ as the creator of this art form.

The hand postures are termed as 󲹲ٲܻ in Sanskrit. The 󲹲ٲܻ are very essential to denote some particular action or state in dancing and these ܻ are formed with the help of hands and fingers. In the վṣṇܻ󲹰dzٳٲܰṇa the necessity of hand gestures are highly recommended as according to this book, Dance depends on the actions of the hands.[2] In the վṣṇܻ󲹰dzٳٲܰṇa mainly three kinds of 󲹲ٲܻ are discussed and those are termed as hasta.

These three kinds of hastas

  1. ṃyܰٲ󲹲ٲ,
  2. ṃyܰٲ󲹲ٲ and
  3. ṛtٲ󲹲ٲ.

Footnotes and references:

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[1]:

tato jagṛhaturvedānbrahmaṇastau Բ󾱱貹/ Ibid., 3.34.6

[2]:

karāyattamida� hi ṛtٲ�/ վṣṇܻ󲹰dzٳٲܰṇa, 3.26.97

[3]:

Ibid., 3.34.6-7

[4]:

ܳٳٳⲹ salilāttammādbabhramā salilāśaye/ Ibid., 3.34.8

[5]:

[...] Ibid.,3.34.9

[6]:

[...] Ibid.,3.34.16

[7]:

[...] 󾱲Բⲹ岹貹ṇa, 3

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