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Sandeha had been stated by 顿补峁囜笉颈苍 as to be Sa峁兣沘yopam膩^[1] and it was included under the range of 鲍辫补尘腻. But, afterwards it has been designated as a separate figure. According to the author of the 厂腻丑颈迟测补诲补谤辫补峁嘺, when an object, under discussion is poetically suspected to be something else, it is called Sandeha^[2] or doubt. It is three-fold, 艢耻诲诲丑补, wherein, the sentence ends with doubt, 狈颈艣肠补测补驳补谤产丑补, wherein, the doubt exists both at the beginning and the end and 狈颈艣肠补测腻苍迟补, wherein, the doubt is dismissed at the end. In the verse, aneka艣o鈥檋a峁� vim峁浥沘nnap墨ttha峁�^[3] 鈥︹��., the poet expresses his inability to comprehend the wicked person, whether he is consistent or otherwise. If, he is consistent, then why, he lacks firmness regarding affection, or if, he is inconsistent, then why, he is so firm in case of enmity. So, here arises the figure Sandeha. Again, as the sentence ends with doubt, therefore, it is the case of 艢耻诲诲丑补 type of the figure Sandeha.