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The backdrop of the Srikanthacarita and the Mankhakosa

by Dhrubajit Sarma | 2015 | 94,519 words

This page relates “Alamkara (21): Vyatireka or contrast or dissimilitude� as it appears in the case study regarding the Srikanthacarita and the Mankhakosa. The Shrikanthacarita was composed by Mankhaka, sometimes during A.D. 1136-1142. The Mankhakosa or the Anekarthakosa is a kosa text of homonymous words, composed by the same author.

Go directly to: Footnotes.

Part 5u - Alaṃkāra (21): Vyatireka or contrast or dissimilitude

When the upameya excels or falls short of the ܱ貹Բ or the viceversa, it is Vyatireka[1] or contrast. The word Vyatireka means difference or excellence. As for example, in the verse, ṅkDZԲԲ󲹲ǰṃhܰṛt[2] …�.., the poet salutes the face of ī, that goddess who is sitting on the back of a roaring lion, having tremulous nails. Herein this verse, it has been implied that the face of ī is superior to the moon, which makes it an example of the figure Vyatireka. Some other examples of this figure are- 첹śԲ[3] …�, Dz� dz󱹲岹ṭṭ[4] …�

Footnotes and references:

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[1]:

󾱰ⲹܱ貹ⲹDZ貹ԲԲūԲ’t󲹱/
vyatireka�-// Sāhityadarpaṇa., X. 52

[2]:

preṅkholannakhaghorahuṃkṛtimahāsiṃhādhirūḍhasthite� pārvatyā� pramadānavadyavibhava� vandāmahe tanmukha�/
yallāvaṇyakaṇānavāptumaniśa� sevā� vidadhyādvidhu-rna syādaṅkanilīnaraṅkukabhavastatroparodho yadi// Śrīkaṇṭhacarita., I. 47

[3]:

Ibid., I. 56

[4]:

Ibid., VI. 12

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