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Essay name: Soundarya Lahari of Shri Shankara (Study)

Author: Seetha N.
Affiliation: University of Kerala / Department of Sanskrit

The essay studies in English the Soundarya Lahari of Shri Shankara, focusing on its philosophical and devotional aspects. The Saundaryalahari represents an epitome of Shaktism (worship of the divine Goddess) by expounding the ultimate goal of liberation (moksha) through the non-dual knowledge of Nirguna Brahman, as taught by the Advaita philosophy.

Chapter 7 - Philosophical aspects in Saundaryalahari

Page:

18 (of 57)


External source: Shodhganga (Repository of Indian theses)


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- 342 - 84 becomes talented in various branches of knowledge.
This is
spoken of as Sarasvataprayoga in S.L., in the fifteenth, sixteenth
and seventeenth stanzas.
Sarasvataprayoga
The
Here the Goddess is pictured as clear and bright as
autumnal full moon, adorned with crown and having four hands
holding Abhaya and Varada (refuge and boon) mudras, and rosary and
85 book. Among the three kūtas viz. Vägbhava, Kamaraja and
Sakti kūtas, Vägbhava is the first kūta for contemplation.
contemplation in Vagbhavakūta enables one to have literacy.
this form is the generally accepted one for Goddess Sarasvati,
the Vagdevatā (goddess of learning) this mode is called the
In the rajasic aspect, She is having the
Saravat aprayoga.
complexion of rising sun.
86 He who contemplates such a form
87 As
of the Goddess, can compose poems, replete with erotic sentiment
and can also delight audience with speech. In tamasic aspect
She is surrounded by Vasini and the other eight goddesses.
By this contemplation, a devotee composes epic poems.
people the eight goddesses viz. Vasini, Kameśvari, Modini, Vimala,
Aruna, Jayini, Sarveśvari and Kaulini are representations of
To some
84. ibid. IV, 45-47.
85. "Vame pustakadhariṇim abhayadam akṣasrajam dakṣine..." L.S. 7.
86. S.L. 16.
87. ibid. 17.

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