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The 笔补诲尘补辫腻产丑峁泃补办补尘 (笔补诲尘补辫腻产丑峁泃补办补) is a 叠丑腻峁嘺 type of play included in the 颁腻迟耻谤产丑腻峁嚹�, composed by 艢奴诲谤补办补. There is a controversy regarding the date of 艢奴诲谤补办补. 艢奴诲谤补办补 composed another two works namely the 惭峁沜肠丑补办补峁璱办补 and the 痴墨峁嚹乿腻蝉补惫补诲补迟迟腻.

In the play, the 痴颈峁璦 (named 艢a艣a) is employed by his friend M奴ladeva to understand the feelings of his beloved 顿别惫补蝉别苍腻. On the way, the 痴颈峁璦 meets a number of people with whom he carries imaginary conversation until he gets his destination. The 痴颈峁璦 returns completing his mission successfully and brings a lotus flower from 顿别惫补蝉别苍腻 as a symbol of love for M奴ladeva from which the work is named so. The scene of the play is laid in Ujjain.

In the play, the hypocrisy of the people is satirized by the poet. The 叠谤腻丑尘补峁嘺蝉 and the Buddhists are also object of satire in the work. Throughout the work, bantering tone is used.

Firstly, the sky gazing poet 艢膩rasvatabhadra of 办腻迟测腻测补苍补 gotra, son of 艢膩radvat墨 is satirized, for his composition of some worthless poems.

The poet ridicules him comparing with a cobbler in the following line, said by the 痴颈峁璦鈥�

pur膩峁嘺k膩vyapadacchedagrathanacarmak膩ra kimida峁� na峁ａ弓agoy奴tha iva gop膩lako navapad膩nanve峁�ase!

Herein it is satirically said that as the cobbler joins torn out things, so as the poet joins words collecting from older poems. Otherwise, he has no talent to compose a good poetry. The 痴颈峁璦 also mentions him as a 办腻惫测补辫颈艣腻肠补.

Next, a P膩峁噄nian grammarian named Dattakala艣i is satirized here, who is a vain pretender to learning, quarrelsome and debauch. He is addicted to harlots. The grammarian uses such a tough technical vocabulary that it may drive back his beloved whom he seeks. 碍腻迟补苍迟谤补 grammarians are also satirized here who are said to make quarrel with the P膩峁噄nian grammarians.

Another hypocrite named Pavitraka, son of Dharm膩sanika is also satirized here, who always pretends to be a pious man and gives his identity as a 痴补颈峁ａ箛补惫补. In the streets, he protects himself from the touch of other people but always keeps relationship with the harlots. The poet condemns such person, who looks outwardly a gentleman but inwardly a lier. In the words of 痴颈峁璦鈥�膩k峁泃im膩trabhadrako bhav膩n mithy膩c膩ravin墨to hyasi.

A young licentious 叠谤腻丑尘补峁嘺 is also satirized here. He is 艢a峁�ilaka who secretly engages himself with dice and women. He is said to keep a female mendicant secretly in his house.

Sandhilaka, a characterless Buddhist monk is also satirized here. He is depicted as a regular visitor of the brothel. When he is caught in the brothel, he gives excuses that he only visited it to console the harlot upon the death of his mother鈥�

m膩t峁泇y膩pattidu岣�khit膩峁� sa峁単had膩sik膩峁� buddhavacanai岣� paryavasth膩payitum膩gato'smi.

In the play, the 痴颈峁璦 laments that the teachings of Buddha is defiled everyday by such hypocrites. He says鈥�

aho s膩ri峁ａ弓at膩 buddha艣膩sanasya yadevamvidhairapi v峁泃h膩mu峁囜笉airasad bhik峁�ubhirupahanyam膩na峁� pratyahamabhip奴jyata eva.

The hypocrite Buddhist monk is ridiculed here as a ghost living in the monastery (惫颈丑腻谤补惫别迟腻濒补).