The Sacrifices of Rajasuya, Vajapeya and Ashvamedha (study)
by Aparna Dhar | 2016 | 61,606 words
This page relates ‘Dichotomic interpretation of the Agnicayana Sacrifice� of the study dealing with the Sacrifices such as Rajasuya, Vajapeya and Ashvamedha including their ritualistic and monarchial strata with reference to the Shatapatha-Brahmana. These Brahmanas represent a category of ancient Sanskrit texts dealing with ancient Vedic rituals and ceremonies based on the Vedas.
Go directly to: Footnotes.
Dichotomic interpretation of the Agnicayana Sacrifice
The Agnicayana or the pilling of the fire altar or the construction of the vedi is the most technical and complicated sacrifice. According to Prof. Eggeling it is originally an independent rite and later come under the system of soma sacrifice[1]. The ṇḍ from VI-X of the Śٲ貹ٳ ṇa is attributed to Agnicayana. It is one of the oldest sacrifice so far found and described in the ancient Vedic ṃh. In the chapter-V we have tried to give a brief description of the Agnicayana ceremony.
So, in this chapter an attempt is made to highlight some important features of the Agnicayana ceremony which are here under:
� The Agnicayana ceremony represents the cosmogonic speculations of the time. The making of the bricks and the process of pilling them up symbolize ʰ貹پ’s cosmic creation. The Śٲ貹ٳ ṇa has identified the fire altar with ʰ貹پ, the lord of creation[2].
� The making of the fire pan has been stated as the making of the worlds[3].
� The making of the bricks is identified with the production of offspring[4].
� The construction of the fire altar has been conceived as reconstructing ʰ貹پ.[5]
From the above references it is clear that various ritualistic performances of the Agnicayana ceremony give us enough scope for philosophical thinking of life. Along with philosophical discussions the Agnicayana ceremony also has some rituals with political significance, such as–the ٳ oblations of the Ჹūⲹ sacrifice, ṣe첹 of the ۲ᲹԲ, Six Ჹⲹ offerings, twelve ṣṭṛt offerings and so on. As already discussed in the earlier chapter that by offering ٳ oblations, the sacrificer is consecrated by the Ჹūⲹ and by the Ჹⲹ oblations he (the sacrificer) is consecrated by the Ჹⲹ. After those oblations the sacrificer offers Agni consecration, because he who is consecrated by the Agni consecration rite becomes everything, king and emperor[6].
In the ritual procedure of the Agnicayana ceremony there are a certain rites in which the sacrificer is given a sacred bath. This sacred bath or ṣe첹 in the Agnicayana ceremony has some similarities with the royal consecration. After having piled up the fire, the sacrificer should consecrate with sacred bath. As who has piled the fire altar and the sacrificer of the Ჹūⲹ conquers both the worlds[7]. After that the sacrificer also performs the ṣṭṛt (realm-sustaining) oblations[8]. Hence, from the above discussion, it can be said that along with various ritualistic performances, the Agnicayana ceremony also have some philosophical as well as political character in it.
Footnotes and references:
[2]:
Śٲ貹ٳ-brāhmaṇa -X/1/1/3-“Sa ya sa ṃvٲ patir vyastrasata| Ayameva sa yo’yamgnisccīyate’tha�
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