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[Full title: Use of 础濒补峁僰腻谤补 in 惭耻诲谤腻谤腻办峁�a蝉补: 艢补产诲腻濒补峁僰腻谤补蝉 (1). 础苍耻辫谤腻蝉补]

In the 惭耻诲谤腻谤腻办峁�a蝉补, 痴颈艣腻办丑补诲补迟迟补 has used both the 艢补产诲腻濒补峁僰腻谤补蝉 and 补谤迟丑腻濒补峁僰腻谤补蝉 for enhancing the beauty of the drama. He is an expert in choosing the proper 补濒补峁僰腻谤补 in the proper situation for the embellishment of the rasa concerned. Here in this drama we can find a good number of 补濒补峁僰腻谤补s of which we are going to discuss one by one. All the definitions of the 补濒补峁僰腻谤补s that are mentioned in the following are based on 厂腻丑颈迟测补诲补谤辫补峁嘺.

Both in the 艣谤补惫测补办腻惫测补 and 诲峁泂测补办腻惫测补, 艢补产诲腻濒补峁僰腻谤补蝉 have a special effect on the connoisseurs. Let us discuss about the 艢补产诲腻濒补峁僰腻谤补蝉 available in every act of 惭耻诲谤腻谤腻办峁�a蝉补 in the following:

础苍耻辫谤腻蝉补 is defined as, 补苍耻辫谤腻蝉补岣� 艣abdas膩mya峁� vaisamye鈥檖i svarasya yat^[1] -the repetition of the same words (consonants) constitutes 础苍耻辫谤腻蝉补, though there may be dissimilarity in vowels.

础苍耻辫谤腻蝉补 is of five varieties according to 厂腻丑颈迟测补诲补谤辫补峁嘺. In the following 艣濒辞办补 of act-I:

ulla峁単hayanmama samujjvalata岣� 辫谤补迟腻辫补峁� kopasya nandakulak膩nanadh奴maketo岣�/
蝉补诲测补岣� par膩tmaparim膩峁嘺vivekam奴岣峢a岣� ka岣� 艣膩labhena vidhin膩 labhat膩峁� 惫颈苍腻艣补峁�//^[2]

There is V峁泃t膩nupr膩sa in the purvardha or the first half of the verse and Cchek膩nupr膩sa in the 耻迟迟补谤腻谤诲丑补 or the last half of the verse, as can be known by the repetition of the letters na, ma, ra, sa and bha. In the same way, the verses VII.15, III.19, IV.6, V.16, I.20, II.13, I.15, and I.23 etc. are the examples of different types of 础苍耻辫谤腻蝉补s. Thus, the expertism over this 补濒补峁僰腻谤补 of our dramatist can be felt through these examples.

Footnotes and references:

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[1]:

厂腻丑颈迟测补诲补谤辫补峁嘺,X.3

[2]:

惭耻诲谤腻谤腻办峁�a蝉补, I.10