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From a close observation of the drama it is clearly felt that the dramatist has given more emphasis on the delineation of 痴墨谤补谤补蝉补 than that of the other rasas that also related to 颁腻峁嘺办测补 . Raudra and 碍补谤耻峁嘺谤补蝉补蝉 also have some space in this drama, and there is a little mention of 叠丑补测腻苍补办补谤补蝉补, Adbhutarasa and 艢腻苍迟补谤补蝉补; and only a tint of 艢峁涐箙驳腻谤补谤补蝉补 and 叠墨产丑补迟蝉补谤补蝉补. But the 贬腻蝉测补谤补蝉补 is totally absent from the drama. It is quite natural that a political drama possesses no humour, but the dramatist could have used some portions having satire through 颁腻峁嘺办测补鈥檚 attendants or spies which would have made the drama more entertaining. Moreover, the absence of 艢峁涐箙驳腻谤补谤补蝉补 also made the drama serious but monotonous. Yet, 痴颈艣腻办丑补诲补迟迟补 has earned all success in delineating the principal sentiment. The descriptions of different varieties of 痴墨谤补谤补蝉补 attain the zenith of the same.

According to the norms of dramaturgy, meters used in the verses expressing the sentiment of heroism should be of fast tempo. It should be capable of expressing the energy of the speaker. Meters like Vasantatilaka [Vasantatilakam], 艢腻谤诲奴濒补惫颈办谤墨岣峣迟补 [艢腻谤诲奴濒补惫颈办谤墨岣峣迟补m], 艢ragdhar膩, 惭腻濒颈苍墨 etc with fast tempo are suitable for 痴墨谤补谤补蝉补.^[1]

Our dramatist also has followed the same with utmost care. Most of the heroic verses are composed in Vasantatilakam^[2], 艢腻谤诲奴濒补惫颈办谤墨岣峣迟补m^[3], 艢ragdhar膩^[4] etc. These kinds of minute observations of the dramatist have made the drama a perfectly heroic one.