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273
Specialized foot movements have particular relevance in
Abhinaya. 厂辞尘别艣惫补谤补's elaborate description of Angikabhi-
naya suggests that in a dramatic spectacle natural and
realistic acting will be used wherever possible. But
where imagination must aid make-believe, stylised and
suggestive abhinaya will have to be used. That is why,
certain poses, gestures, movements and gaits are prescribed.
Further 厂辞尘别艣惫补谤补 opines that a king himself should
210 dance with Rasa, and Bhava, and attractively. Lastly,
he says that a dance should be performed in a palace,
house, court-yard, park or field for the sake of enter-
211 tainment.
It can be seen that some艣vara is well-versed
in all types of N峁泃ya. He might have obtained this knowledge
from his mother, already mentioned in the first chapter as
a N峁泃ya-vidyadhari. It is evident that, royalty, both
male and female, used to be well-versed in dancing very
early in the history of the Calukya period.
has described both music and dance.
厂辞尘别艣惫补谤补
210. 啶�啶多�嵿く啷囙い啷嵿じ啶�啶距�椸い啷� 啶�啷傕く啷� 啶ㄠ�冟い啷嵿く啶曕�屶い啷佮�� 啶灌�囙い啶掂�� 啷�
啶膏�嵿さ啶�啶� 啶掂ぞ 啶ㄠぐ啷嵿い啶ㄠ�� 啶曕�佮ぐ啷嵿く啶距う啷嵿ぐ啶膏き啶距さ啶膏ぎ啶ㄠ�嵿さ啶苦い啶�啷� 啷�
[pa艣yetsabh膩gato bh奴yo n峁泃yakautuka hetave |
svaya峁� v膩 nartana峁� kury膩drasabh膩vasamanvitam ||
] 4.18.1401.
21. 啶灌ぐ啷嵿ぎ啷嵿く啷� 啶掂ぞ 啶椸�冟す啶�啶о�嵿く啷� 啶掂ぞ 啶�啷嵿ぐ啶距�囙�椸ぃ啷� 啶掂ぞ 啶�啶ㄠ�嬥す啶班�� 啷�
啶夃う啷嵿く啶距え啷� 啶多ぞ啶︵�嵿さ啶侧�� 啶膏�嵿ぅ啶距え啷� 啶曕�佮ぐ啷嵿く啶距え啷嵿え啷冟い啷嵿く啶掂た啶ㄠ�嬥う啶ㄠぎ啷� 啷� [harmye v膩 g峁沨amadhye v膩 pr膩iga峁噀 v膩 manohare |
udy膩ne 艣膩dvale sth膩ne kury膩nn峁泃yavinodanam || ] 4.18.1405.