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249
The ancient writers on Music considered two funda-
mental features of musical forms. The were Aucitya and
Lalitya i.e. propriety and gracefulness. According to
some writers, an action was considered proper if it was
motivated by an ideal and also proved useful on comple-
tion. Thus, an idea of propriety consisted in a combina-
tion of both idealis峁� and utility. To them was added
Lalitya or gracefulness which set the musical composition
to a rhythmic pattern.
1 First of all Some艣vara describes musicians.
They
are divided into four types, namely Uttamottama, Uttama,
Madhyama and Adhama. Some艣vara says that only a man who
151 is satisfied and happy is eligible for the Gitavinoda.
Further he tells about the characters of the best musician.
He says, "A Musician should be impartial, free from censure,
a good speaker, scholar, and so on.
"152
(4.16.3-8). A
musician who is expert in Svara, T膩la, Padabandha etc.,
is the Uttamottama musician.
But he who has some of these
151. 啶む�冟お啷嵿い啷� 啶灌�冟し啷嵿�熰ぎ啶ㄠぞ 啶椸��啶む�� 啶掂た啶ㄠ�嬥う啶� 啶曕ぐ啷嵿い啷佮ぎ啶班�嵿す啶む�� 啷� [t峁沺to h峁涐梗峁璦man膩 g墨te vinoda峁� kartumarhati | ] 4. 17.2.
152. 啶椸�佮ぃ啷堗�曕お啶曕�嵿し啶�啶距い啷� 啶� 啶�啶班た啶掂ぞ啶︵お啶班ぞ啶�啷佮�栢�� 啷�
[gu峁嘺ikapak峁�ap膩t墨 ca pariv膩dapar膩mukha岣� |
] gle: fyriqat arrat durat a fahafaq || 4.17.3.
啶�啷嵿ぐ啶苦く啶傕さ啶︵�� 啶掂ぞ啶椸�嵿ぎ啷� 啶�啷囙ぇ啶距さ啷� 啶掂た啶多�囙し啶掂た啶む��
啶�啷嵿ぐ啷嬥あ啶�
[priya峁僾ado v膩gm墨 medh膩v墨 vi艣e峁�avit
辫谤辞岣峢补岣�
] 1