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187
In enumerating Citragunas and Citra-dosas, i.e., merits
and demerits in paintings, an excess of any; was considered
15 a blemish. In Some艣vara's M膩nasoll膩sa Suk峁�marekh膩 is
more important in the picture. If we, however, take the
clue from Suksmarekha, the meaning might be that, merely
drawing a line in the form of a human figure is no art.
This is supported by the words Vidyunnirmanaku艣alai岣�.
Varnap奴r峁嘺 might imply proficiency in harmonizing the
colour. Rasa is expressed in painting.
鈥�
Incidental to
the treatment of Rasa, there are interesting references.
as to where particular Rasas should be depicted (and
where not to be.) These remarks seem to embody a tradi-
tion which must have a considerable basis in actual
practice.
The subject of classification of Citra is to be found
in other works dealing with Citra.
Some艣vara, in his
Manasollasa divides Citra into three types, namely
Viddha, Aviddha and Bhavacitra.
16 The meaning of
15. 啶�啷嵿ぐ啶椸げ啷嵿き啷堗ぐ啷嵿き啶距さ啶曕�堗じ啷嵿い啶溹�嵿�溹�嵿�炧�堗�� 啶膏�傕�曕�嵿し啷嵿ぎ啶班�囙�栢�� 啶掂た啶多ぞ啶班う啷堗�� 啷�
啶掂た啶о�佮え啷嵿え啶苦ぐ啷嵿ぎ啶距ぃ啶曕�佮ざ啶侧�堗�� 啶�啶む�嵿ぐ啶侧�囙�栢え啶曕�嬥さ啶苦う啷堗�� 啷�
啶掂ぐ啷嵿ぃ啶�啷佮ぐ啶｀う啶曕�嵿し啷堗ざ啷嵿�� 啶掂��啶班ぃ啷� 啶� 啶曕�冟い啶多�嵿ぐ啶�啷堗�� 啷� 啷�
啶氞た啶む�嵿ぐ啶曕�堗ぐ啷嵿げ啷囙�栢�嵿く啷囙�氞�嵿�氞た啶む�嵿ぐ啶� 啶ㄠぞ啶ㄠぞ啶班じ啶膏ぎ啷佮う啷嵿き啶掂ぎ啷� 啷むイ [pragalbhairbh膩vakaistajj帽ai岣� s奴k峁�marekh膩 vi艣膩radai岣� |
vidhunnirm膩峁嘺ku艣alai岣� patralekhanakovidai岣� ||
var峁嘺pura峁嘺dak峁�ai艣ca v墨ra峁嘺i ca k峁泃a艣ramai岣� | |
citrakairlekhyeccitra峁� n膩n膩rasasamudbhavam || ] 3.1.139-140.
16. 啶膏�佮お啷嵿ぐ啶�啶距ぃ啶� 啶むぅ啶� 啶掂た啶︵�嵿さ啶�啶掂た 啶�啶距さ啶氞た啶む�嵿ぐ啶曕ぎ啷� 啷�
啶班じ啶о�傕げ啶苦�傕�椸い啶� 啶�啷嵿ぐ啷嬥�曕�嵿い啶� 啶�啶距え啶膏�嬥げ啷嵿げ啶距じ啶�啷佮じ啷嵿い啶曕�� 啷� [supram膩峁嘺峁� tath膩 vidvamavi bh膩vacitrakam |
rasadh奴li峁僩ata峁� prokta峁� m膩nasoll膩sapustakai || ] 3.1.943.