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[Full title: 搁腻箩补艣别办丑补谤补鈥檚 contribution on 顿别艣补-惫颈产丑腻驳补 and 碍腻濒补-惫颈产丑腻驳补 (divisions of geographical regions and time)]

An aspirant poet must be aware about the geographical regions and different times of any part of the country. Because, an aspirant poet who learns the divisions of region and time he does not remain devoid of the ability to see or understand meaning.

鈥�诲别艣补峁� 办腻濒补峁� ca vibhajam膩na岣� kavirn膩rthadar艣anadibhi daridr膩ti 触鈥�

-碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVII, Pp- 89

If a poet have not proper knowledge about any region, so he has unable to describe on this region in his poetry (碍腻惫测补). In this same way a poet must be aware about the treatment of different seasons (办腻濒补蝉). But Sanskrit poetics ignorance about those matter, only some kinds on this topic we can find in Bharata鈥檚 狈腻峁瓂补艣腻蝉迟谤补 and 痴腻尘补丑补鈥檚 碍腻惫测腻濒补峁僰腻谤补 (of 叠丑腻尘补丑补)

But 驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补鈥檚 碍腻惫测补m墨m膩峁僺膩 contains information on ethnic and linguistic geography of India, which have prove to useful to the aspirant poet in Indian cultural context. However, it is remarkable that 搁腻箩补艣别办丑补谤补鈥檚 description is primarily based on and similar as 笔耻谤腻峁嘺, 惭补丑腻产丑腻谤补迟补, V峁沨atsa峁僪it膩, 惭补苍耻蝉尘峁泃颈, 碍补耻峁璱濒测补 础谤迟丑补艣腻蝉迟谤补 and various description鈥檚 of Greek and Chinese visitor. 驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补 is the first 膧濒补峁僰腻谤颈办补 in Sanskrit poetics, who divided India into five parts based on different geographical regions. Then he described the pen-picture of tradition, custom, ethnic, linguistic, dress, languages, hills, river and women style of different parts in details.

驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补 was influenced by the 痴腻测耻辫耻谤腻峁嘺 and he starts this 办腻濒补惫颈产丑腻驳补 part with the stanza of 痴腻测耻辫耻谤腻峁嘺:

鈥�办腻峁ａ弓丑腻 苍颈尘别峁Ｄ� 诲补艣补 pa帽caicava tri峁兣沘cca 办腻峁ａ弓丑腻岣� kathit膩岣� kaleti |
tri峁兣沘tkala艣caiva bhavenmuhurttastesti峁兣沘t膩 r膩tryahan墨 sametau || 鈥�

-碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 98

Means:

Fifteen nemeses make one 办腻峁ａ弓丑补, thirty 办腻峁ａ弓丑补 one 办腻濒补, thirty 办腻濒补蝉 one 尘耻丑奴谤迟补 and thirty 尘耻丑奴谤迟补s a day and night. In the two months of Caitra and 础艣惫颈苍补 the days and nights are equal that is fifteen 尘耻丑奴谤迟补s for days and fifteen 尘耻丑奴谤迟补s for night.鈥�

In the 办腻濒补鈥摫咕辈�丑腻驳�� part 搁腻箩补艣别办丑补谤补 wrote about six seasons, which starts from rainy season (痴补谤峁Ｄ� 办腻濒补) and rotationally end with summer season (驳谤墨峁�m补 办腻濒补):

鈥�tatra 苍补产丑腻 苍补产丑补蝉测补艣肠补 惫补谤峁Ｄ佱弗, i峁�a 奴rja艣ca 艣补谤补迟, 蝉补丑补岣� 蝉补丑补蝉测补艣肠补 丑别尘补苍迟补岣�,
  tapastapasya艣ca 艣i艣ira岣�, madhurm膩dhava艣ca vasanta岣�, 艣ukra岣� 艣uci艣ca 驳谤墨峁�m补岣� 触鈥�

-碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 99

The in the six seasons are divided into four steps: i. 峁歵耻-蝉补苍诲丑颈 (meeting events of incoming and outgoing seasons), ii. 峁歵u-艣aisava (infancy), iii. 峁歵u-praudhi (maturity) and iv. 础苍耻惫峁泃迟颈 (continuity to the next).

鈥�caturavastha艣ca 峁泃urupanibandhan墨ya岣�| tadyath膩 鈥� 蝉补苍诲丑颈岣�, 艣补颈艣补惫补峁�, prau岣峢i岣�, amuv峁泃ti艣ca 触鈥�

-碍腻惫测补m墨m膩峁僺膩 of 搁腻箩补艣别办丑补谤补: Ch-XVIII, Pp- 108

However it is the general indication for the poet, because he always frees to write whatever he likes to write. It is not to be only guideline for an aspirant poet but it also traditionally appreciated by poets and literatures may be honored.

So we can hesitatelessly says that 驰腻测腻惫补谤墨测补 搁腻箩补艣别办丑补谤补 description about 顿别艣补惫颈产丑腻驳补 and 碍腻濒补-惫颈产丑腻驳补 is the great contribution and the ideal gift for not only Sanskrit Poetics but also the whole Sanskrit literature.