Essay name: Kadambari Studies (on the basis of Bhanuchandra)
Author:
Jayanti Tripathy
Affiliation: Pondicherry University / Department of Sanskrit
This essay studies in English the Kadambari of Bana (Banabhatta) on the basis of Bhanuchandra’s commentary. Kadambari is accepted as a model of an ideal example of Katha—a variety of Gadya literature. The central plot revolves around a a romantic attachment and union between the hero Chandrapida and the heroine Kadambari.
Chapter 2 - Textual Criticism on Kadambari
83 (of 106)
External source: Shodhganga (Repository of Indian theses)
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rÅ«pa sampannÄm p. 23. 1.3. v.1. aká¹£ata rÅ«pasampannÄm; anya aksata vahusabhirÅ«pÄm. 123 rÅ«pa sampannÄm is the reading of BhÄnu., which is
quite fitting to the context. He explains: she was possessed
of beauty. The similarity with forest being: it possesses
animals like 'rupa' etc. This is also the reading of NSP.
However, the other reading viz. 'aksatarupa' & C.
seems to be more apealing in conparison to the present
one, which is accepted by Kane, KÄle and CkalÄ.2 For the
expression of a being possessed of faultless beauty is more
common and preferrable than just saying possessed of
beauty.
This can also go very well with the forest; viz.
having 'aká¹£a' trees. (aksataru upasampannÄm).
The third reading namely 'anya aksa' etc., is the
obviously not good, in preference to either the first or
the second.
1. BhÄnu. p. 23, 11. 10-11
aranyam atavi ... rūpam akrivesesa� tena.
2. Kale, p. 26; aksatan kena'py asambhukta� ya� rūpam;
Kane. p. 6. 1.29.
CKalÄ p. 33, 1. 22.;
