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Essay name: Kadambari Studies (on the basis of Bhanuchandra)

Author: Jayanti Tripathy
Affiliation: Pondicherry University / Department of Sanskrit

This essay studies in English the Kadambari of Bana (Banabhatta) on the basis of Bhanuchandra’s commentary. Kadambari is accepted as a model of an ideal example of Katha—a variety of Gadya literature. The central plot revolves around a a romantic attachment and union between the hero Chandrapida and the heroine Kadambari.

Chapter 2 - Textual Criticism on Kadambari

Page:

47 (of 106)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Warning! Page nr. 47 has not been proofread.

tarala tÄra sÄraih (avalupyamÄna) p. 204, 1.6. v.l. TaralatÄra sÄraih. 87 BhÄnu. reads tarala tÄra sÄraiá¸� and comments ajihvÄ
kutilÄ taralÄ tÄrÄ kanÄ«nikÄ saiva sÄram pradhÄnam etc. It
means 'the essence of which where the restless and slightly
turned pupils'. The courtesans stood motionless whose
eyes were long and resembled a garland.
It is also the reading of Kane, 2
and NSP.3
The calcutta editions* Kale 5 CKalaɓ reads tarala
The glances
tÄra sÄraiá¸�, which means variegated, darkened.
were long like a breath of lotus leaf shaken by the wind
and variegated with the pupils, which were restless and
turned askance. This is a better reading in comparison to
the former.
1. cf. Bhánu., p. 204, 1. 10
2. Kane, p. 62, 1. 23
3. KÄda., p. 204, 1. 5
4. Vide Kane p. 244
5. Tattva pra p. 153, 1. 12
6. CkalÄ, p. 287, 1. 5

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