Essay name: Kadambari Studies (on the basis of Bhanuchandra)
Author:
Jayanti Tripathy
Affiliation: Pondicherry University / Department of Sanskrit
This essay studies in English the Kadambari of Bana (Banabhatta) on the basis of Bhanuchandra’s commentary. Kadambari is accepted as a model of an ideal example of Katha—a variety of Gadya literature. The central plot revolves around a a romantic attachment and union between the hero Chandrapida and the heroine Kadambari.
Chapter 1 - Introduction
42 (of 43)
External source: Shodhganga (Repository of Indian theses)
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40
Anandavardhana accepts the distinctions in
his Dhvanyāloka with certain reservations on the use
of long compounds. To him long compounds should not
occur in description of pathos and love of separated
lovers. 1
Abhinavagupta distinguishes between these two
classes by pointing out that the åkhyāyikā is possessed
of sections called Ucchvāsas and stanzaz in Vakträ and
aparavaktrā metres, whereas the kathā is free from such
ٱپ.²
The most modern definition of kathā and åkhyāyikā
are those given by Viśvanātha which are based on the
earlier ones.
"According to him A kathā contains
-
a fine plot. In prose with here and there a stray stanza
in the ārvā, vaktrā or aparavaktrā metres. In the
beginning there is a salutation in verse and a mention
is made on the conduct of wicked, etc. An ākhyāyikā is
1.
Dhvanyaloka, pp. 143�144.
2. Vide Locana, p.14.
