Jivanandana of Anandaraya Makhin (Study)
by G. D. Jayalakshmi | 2019 | 58,344 words
This page relates ‘Analysis of Vishuci (Queen of Rajayakshma)� of the study on the Jivanandana (in English) which is a dramatic play written by Anadaraya Makhin in the 18th century. The Jivanandana praises the excellence of Advaita Vedanta, Ayurveda (medical science) and Dramatic literature as the triple agency for obtaining everlasting bliss.
Analysis of վṣūcī (Queen of Rajayakṣmā)
The dramatist refers to ۲ṣm’s wife վṣūcī in the interlude of the second Act during the discussion between Chardi and . վṣūcī’s direct appearance on the stage is presented by the dramatist, only at the end of the sixth Act.
At the end of the war between ۲ṣm’s team of various diseases and Jīvarāja’s armies of very powerful medicines, ۲ṣm had lost all his army. On seeing the war front strewn with the bodies of his soldiers who are mostly his near and dear ones, ۲ṣm and վṣūcī are lost in deep sorrow. The mother in վṣūcī is heart broken since all her royal sons seen by her alive just before the final war, are now, not to be seen anywhere.
This sorrow vehemently burns her heart like the fire burning the dry grass (VI. 96):
idāni� khalaveva ṛṣṭ� rājakumārā� kutra gatā yūyam |
dahati ṛdⲹ� śoko'gniriva śuṣkatṛṇajālam ||
Her agony is observed by Rajayakṣmā–with dishelved hair, checks wet with tears pouring down from her eyes and beating her chest with her hands–վṣūcī is lamenting the loss of her sons; it multiplies his own anguish (VI.97):
gaṇḍadvaye'pi galitairnayanāmbupūrairāmṛṣṭapatralatamākulakeśapāśam |
pāṇidvayaprahatapāṭalabāhumadhyamasyā vapurmama śܳ� dviguṇīkaroti ||