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Essay name: Isanasivagurudeva Paddhati (study)

Author: J. P. Prajith
Affiliation: Sree Sankaracharya University of Sanskrit / Department of Sanskrit Sahitya

This essay studies the methods of worship in the Isanasivagurudeva Paddhati (also known as the Tantra Paddhati). This text deals with many topics such as architecture and iconography. But this essay focuses on ceremonies and the ritual practices associated with Gods, Goddesses and other deities (Devatas).

Chapter 4 - Worship of Gods and Goddesses

Page:

64 (of 194)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 64 has not been proofread.

Kriyas have been given up, and this process must have been gradual and prompted by changing times. A close scrutiny of these Agnikriyas brings out the fact that Vaidic Yāgakriyas had, to a long extent, influenced these Tantric Homakriyas. Pratisthavidhi In line with and closely following the rules of Saivagama texts, the author treats another important topic, Pratisthāvidhi, and the associated subjects, in Patala 45 of KP. Niskala idols - The first to be treated is the Pratisthāvidhi of Niskala idols (idols without specific forms, which are temporary in nature). These idols are immersed in rivers or other water bodies after Pūjākriyas. They are classified onto five, depending on the materials they are made of. 1. Parthiva (made of sand) 2. Sila (made of stone) 3. Sphātika (made of glass) 4. Gomaya (made of cow dung) 5. Navanīta (made of butter) Sakala idols - Sakalā idols are permanently installed ones, having elaborately detailed and specific limbs and embellishments. Elaborate Vidhis are prescribed fortheir installation and reinstallation. 314

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