365bet娱乐

1
. 195 Malartti, "supine": in the upari position, the palm of the hand
faces the chanter.
2.
Kamiltti, "prone鈥�: in the upari position, the hand faces the chanter.
3. Uparistha or cericcu, "sideways": the edge of the little finger faces
the onlooker.
4. Matakki, "closed": the hand is held in a fist, which may be done
in any of the three preceding positions.
Omitting the first three, the sequence of twelve svaras
accompanying the chant of the initial 鈥渙鈥漮f J.G.G.1.1 are described thus:
(1) matakki, malartti, upari; (2) matakki, malartti, madhyam; (3) malartti,
adhah; (4) malartti, upari; (5) malartti, madhyam; (6) malartti, adha岣�;
(7) malartti, madhyam; (8) kamiltti, upari; (9) kamiltti, adha岣�;
(10) cericcu, kamiltti, dak峁�ina, upari; (11) cericcu, kamiltti, madhyam;
(12) kamiltti, adha岣�.
The sequence of these mudr膩s constitutes a continous
movement pictured on Plates 7 A-F, 8 A-F. In 7A-C the hand, in supine
position moves down but remain closed. In 7 D-F, still in the same position,
it moves down again but opens up in the process. Plate 8 A pictures the
hand going up again still open. Now begins a new, quicker downward
movement that is pictured in Plates 8 B-C, where the hand is in prone
position. Next the hand moves down again beginning in the sideways
position (cericcu) to the right (dak峁�i峁嘺), but gradually turning and
ending in the prone position (kamiltti). This is pictured on Plates 8D-F.
Thus ends the sequence of the mudr膩s accompanying the syllable "o".