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The BRB brings forward a general accent on the various topics relating to the science of N膩峁瓂a in the introductory portion of the work and then presents a detailed analysis of the various techniques of the 脕ngik膩bhinaya. THE AUTHOR AND HIS WORK After Bharata's NS several works on dance and dramaturgy appeared in different parts of India and at different times. The AD of Nandike艣vara (6th or 7th century A.D.), the SR of S谩rngadeva (1210 1247 A.D.) the N峁泃taratnavali of Jayasenapati (13th Century A.D.) the Sangitaraja of Kumbhakarna R膩j膩 (15th Century A.D.) the Sangitamakaranda of 峁⒛乭aji R膩ja etc. are some of the major works on N膩峁瓂a from different regions. The BRB of K膩rtika Tirun膩l R膩ma Varma Mah膩r膩ja of Travancore is a valuable contribution to the important subject of Natya, from Kerala. The work is the result not only of the study of numerous previous works but also of the practical knowledge of the author about the subject. The work is, therefore, all the more important for those interested in the scientific studies on Indian theatre techniques. The work bears the significance with the title Balaramabharata (a treatise on dance by B膩lar膩ma as it was composed by King Balarama Varma) The prefix Bala in the B膩lar膩ma, the name of the author, was the hereditary epithet denoting submission to Lord Sri Padmanabha, the tutelary deity of Travancore Royal Family, in whom the ruling power of the state was vested. 97