Essay name: Hastalaksanadipika a critical edition and study
Author:
E. K. Sudha
Affiliation: Government Sanskrit College (Tripunithura) / Department of Sanskrit
This is an English study on the Hastalaksanadipika—a manual depicting the Mudras (gestures) of the Kerala theatre. It is a very popular text supposedly dating to the 10th century A.D. This study also touches the subject of Krsnanattam, Kathakali and Kutiyattam—some of India's oldest theatrical traditions in Kerala.
Chapter 3 - Later developments of dramatic techniques
12 (of 22)
External source: Shodhganga (Repository of Indian theses)
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AS A PATRON OF ARTS AND LITERATURE Kārtika Tirūnal Maharaja's reputation as a ruler was great; ever greater was the fame that he acquired as a patron of arts and literature, several poets and scholars and experts in arts came to his court and he gave them generous encouragement and support. The following description of Kārtika Tirunal's capital city by Dr. E.Easvaran Nampūthiri in the introductory portion of the BRB reveals this fact- 'His capital city shines with the scholars who are experts in the śāstras like Vyakarana and Tarka, with those men who are similar to the precep- tor of Devas, (Bṛhaspati) as well-versed in the Arthaśāstra, with great poets having gracious qualities and with the experts in eloquence of speech: his exeedingly enjoyable capital city also shines in every direc- tion with pleasing and interesting music, charming flute-playing, sound of lute played by experts and the melodious and pleasant tunes; his court being an abode of Rangalaksmi (Goddess of stage) is glorious-resonant with the 'taka taka' sounds in keeping with tāḷa in the dance by beauti- ful damsels with good traditional background and training, and pleasant with their dances and gaits, with their movements of feet in accordance with the tempo and displaying the emotions'. All the well-known poets and scholars of this time flocked to his court. Devarāja, the author of Bālamartāṇḍavijaya who has been referred to as the court-poet of Mārtāṇḍa Varma in the introductory portion of the BRB continued to enjoy Kārtika Tirunāl's patronage as 100
