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the mental states other than those normaly assosciated with the character types: eg, the court jester (vid奴峁�aka) shown as behaving like the king, the queen speaking Sanskrit ( 啶班ぞ啶溹�嵿�炧�嵿く啶距�� 啶膏�傕じ啷嵿�曕�冟い啶�啷� ). 啶膏ぐ啷嵿さ啶距げ啶權�嵿�曕ぞ啶班じ啶傕く啷佮�曕�嵿い啶� [r膩j帽y膩岣� sa峁僺k峁泃am ). sarv膩la峁卥膩rasa峁儁ukta峁� ] = enunciating speeches with special intonation and use of language full of rhetorical ornaments (Abhi. Bha) or rendering dialogues and lyrics (褔) in a singing manner, in terms of musical notes (:) and musical phrases (RT). But in either sense, there is a deviation from the normal modes of speech. Other illustrations of theatrical practice cited are: males performing female roles and vice versa. The same person playing more than one role successively in the course of the same play; presenting abstract concepts in a corporeal form ( 啶�啷傕ぐ啷嵿い啶苦ぎ啶む��), [尘奴谤迟颈尘补迟), ] eg . 啶むい啶� 啶�啷嵿ぐ啶掂た啶多い啶� 啶�啷嵿ぐ啶灌�嵿ぎ啶多ぞ啶�啶� ( [tata岣� pravi艣ati brahma艣膩pa岣� (] 'Then enters the curse of Brahman / Br膩hma峁嘺'); hill, aerial vehicles, shield, weapons, the flag-mast made to appear on the stage in human form, when one does not hear words spoken in proximity and hears words that are not spoken, or hears voices from the sky (); or when a woman with whom marital relation is fobidden in actual life is made to play the role of a woman with whom such a relation is permitted in the story, or the reverse, eg. father and daughter enacting 'Siva and Parvati' or wife and husband enacting father and daughter; when one walks with graceful dance movements and rhythmic steps, or walks as if he is dancing, (T or generally when ordinary human nature is represented by special gestures, Natyadharmi is the style employed. Zonal division on 69