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L艒kadharmi is the canvas the painting thereon may be stated as Natyadharmi so that a complete picture is produced. L艒kadharmi alone does not produce a drama since a canvas is not the picture. Similarly Natyadharmi alone cannot produce drama without adequate support of L枚kadharmi, as there can be no picture without a canvas. Among the ten types of plays, N膩峁璦ka has a predominance of N膩峁瓂adharmi and Prakarana has a predominance of L艒kadharmi. Viewed from a different angle, L艒kadharmi is more predominant in drama while N膩峁瓂adharmi predominates in dance. It must, however, be conceded that both these aspects, in different proportions are present in every form of drama or dance. 49 There is a comment that Bharata's NS is a petrified science
and has no relationship with the realities of the world. This is a
misconception, since Bharata, almost at every stage in his NS, has
categorically stated that what all he has mentioned are based on the
pleasures and pains experienced in the world and that his is not the last
word on the subject. Bharata, towards the end of his work, has reiterated
his statement and added that what has been left by him may be added
from the ways of the world and adapted by the scholarly and the
competent ones.
Bharata's L艒kadharmi, in fact, incorporates the modern
concepts of realism and naturalism, but he did not permit extremism in
L艒kadharmi. Bharata has also excluded the presentation of certain