Harshacharita (socio-cultural Study)
by Mrs. Nandita Sarmah | 2014 | 67,792 words
This page relates ‘Similarities (8): Art and Architecture� of the English study on the Harshacharita: A Sanskrit (poetical work) which can be studied as a Historical book of Indian society during the 7th century. It was originally written by Banabhatta who based his Harsacarita on the life of the Gupta emperor Harshavardhana. This study researches the religion, philosophy, flora and fauna and society of ancient India as reflected in the Harsha-Charita.
Go directly to: Footnotes.
1. Similarities (8): Art and Architecture
[Full title: Similarities between the Two Societies of the 岹ī and the Ჹṣaٲ (8): Art and Architecture]
Studies on both the 屹ⲹ, show the aesthetic and artistic senses of the people of ṇa’s time. It is known from various description of art and architecture, such as the Ჹṣaٲ uses the word citra[1] and ⲹ[2] to imply painting, and ṇa첹[3] for various paints. Description of ٰ貹ṭa[4] or citraphalaka[5] a cloth designed with drawing and painting, and ٰś,[6] picture-hall are there in the 岹ī. ṇabhaṭṭa, hence, remarks that the painters were very expert in drawing and painting.[7]
Again, from the description of various things such as 岹[8] (i.e., big buildings), ٳԲṇḍ貹[9] (i.e., a big place where the king’s assembly was held and from there the king announced every important news), fully surrounded and protected walls of the dūrgas i.e., forts made with stones[10] or sometimes with irons,[11] and of water reservoirs,[12] 貹[13] (moat), ܰⲹ[14] (temples), ٴǰṇa[15] (i.e., royal gate), golden footstool,[16] ٰܳ[17] (dolls of leather), etc. are some of the commonly found art-works in both the 屹ⲹ.
Again ṇa has given hints of the architecture through the description of decorative things inside the royal-palaces such as, ٰ貹ṭa[18] or big paintings, maṅgalⲹ[19] (i.e., auspicious paintings) ñԲپ[20] (doll made with gold), śñᾱ[21] (a clay doll made from Ś tree). The structure house premises such as-ܰٲٳԲ (audience hall),[22] Բṇi徱[23] (square like board crystal slabs made for taking rest), Իś[24] (i.e., terrace of the palace), caitya[25] i.e., a monument and 岵ṛh[26] were the houses furnished with artificial jets of water etc. are described.
Footnotes and references:
[1]:
Ibid.,II.p.35
[2]:
Ibid.,IV.p.69
[3]:
Ibid.
[4]:
ٰ貹ṭanā� mradriyāsaṃ�, Ibid.,VII.p.116
[5]:
岹ī,p.143
[6]:
Ibid.,p.85
[7]:
caturacitrakaracakravālalikhyamānamaṅgalyⲹm, Ჹṣaٲ,IV.p.69
[8]:
[a] Ibid. [b] 岹ī,p.207
[9]:
[a] visarjitarājalokaḥ……bāhyٳԲṇḍ貹sthāpitamāsanamācakrām. prāstasamāyogaśca kṣaṇamāsiṣṭa, Ibid.,VII.p.114-115 [b] �..visarjitarājaloka� kṣitipatirāsthānamaṇḍapāduttasthau, 岹ī,p.27 [c] Ibid.,p.193
[10]:
śṇa�., Ibid., II.p.33
[11]:
..dz.., Ibid.,p.31
[12]:
īḍāvīܳ, Ibid.,p.69
[13]:
Ibid.,II.33
[14]:
[a] Ibid.,p.43 [b] 岹ī,p.89
[15]:
ܳٳٲٲٳṅgٴǰṇe.., Ჹṣaٲ,VII.108
[17]:
Ჹṣaٲ,II.p.24
[18]:
Ibid.
[19]:
岹ī,p.114
[20]:
Ჹṣaٲ, p.31
[21]:
[a] komalavarṇikāvicitrairmitramukhaiśca maṅgalyaphalahastābhirañjalikārikābhirudbhāsitaparyantām, Ჹṣaٲ,IV.p.72
[b] sagṛhadaivatamiva� śñᾱbhiḥ�, 岹ī,p.146
[22]:
Ჹṣaٲ,II.p.31
[23]:
[a] viśālasphatikaśilātala�. viśramakāraṇamanirmitta� Բṇi徱�, Ჹṣaٲ,III.p.44
[b] 岹ī,p.280
[24]:
[a] pratiburdhamānāyaśca candraśālikā�, Ibid.,IV.p.60
[b] candraśālikālīnamūkamaulaloke, Ibid.,V.p.77
[25]:
…pṭaū峦ٲⲹ첹ūٲⲹ�, Ibid.,VIII.p.127
[26]:
[a] 岹ī, p.85,146
[b] Ჹṣaٲ,p.31