365bet

Essay name: Gita-govinda of Jayadeva (comparative study)

Author: Manisha Misra
Affiliation: Utkal University / Department of Sanskrit

This essay contains an English study of the Gita-Govinda by Jayadeva and the “Kishore Chandrananda Champu� by Kabisurya Baladev. The Gitagovinda is a Sanskrit Kavya poem of 12th century composed by Jayadeva whereas The “Kishore Chandrananda Champu� was written in the 18th century and was intended for a connection between the medieval poetry and modern literature.

Chapter 6 - A comparative analysis of literary merits of both the works

Page:

11 (of 55)


External source: Shodhganga (Repository of Indian theses)


Download the PDF file of the original publication


Copyright (license):

Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)


Warning! Page nr. 11 has not been proofread.

benediction. He thought the will of writing about Rādhā and Kṛṣṇa is an over hastiness. In his language- Having a very little intelligence like me how I can express the extraordinary play of the celebrated majesty, whose lusture of the figure is like the rays of a blue saphire, who roams in the sweet spring reason, the lord of all beings, the son of Nanda with Rādhā who has taken incarnation due to the virtues of god Sun through the continued austerities.43 But Jayadeva declared his position among the poets from the very beginning of his work 44. He also states the purpose of reading his poem. In Miller, B.S.'s words-: "If remembering Hari enriches your heart, if his arts of seduction arouses you, listen to Jayadeva's speech in these sweet soft lyrical songs "45. Jayadeva and his parental identification is available from his work. But the name of Kavisūrya is not found in the campū both in Sanskrit and Oḍiā portions. In comparison Jayadeva is more self- expressive than Kavisūrya. Jayadeva has over confidence on his poetic talent, but Kavisūrya did not think about his eligibility to compose a poem on the auspicious theme Rādhākṛṣṇa, the divine partners. It may be due to his poetic humbleness. The last canto of Gg explains that the union of song of Rādhākṛṣṇa may delight the heart of the connoissures 46. But in KCC Kavisūrya explains that the combined glow of Rādhā-Kṛṣṇa may protect the mortal people who are captured in this illusive world47. 43. अल्पधी� जल्पाम� इत� कविश्चिन्तयामा� � [alpadhī� jalpāmi iti kaviścintayāmāsa | ] KCC, Prose line of Verse 2 44. वाग्देवताचरितचित्रितचित्तसमा.. [岵𱹲峦ٲٰٲٳٲ.. ] IIGg. 1.2 (v) वाचः पल्लवयत्युमापतिधरः... | | [vāca� pallavayatyumāpatidhara�... | |] /bid, 1.3 (v) 45. यद� हरिस्मरण� सरसं मन�.... [yadi harismaraṇe sarasa� mano.... ] II Gg. 1.4(v) 46. श्री जयदेवभणितमिदमनुपदनिगदितमधुरिपुमोदम� � जनयत� रसिकजनेष� मनोरमरतिरसभावविनोदम् || [śrī jayadevabhaṇitamidamanupadanigaditamadhuripumodam | janayatu rasikajaneṣu manoramaratirasabhāvavinodam ||] Gg. 12.23.9(v) 47. Das, Dasarathi,, Kāvyasamvādā, p.226 159

Let's grow together!

I humbly request your help to keep doing what I do best: provide the world with unbiased sources, definitions and images. Your donation direclty influences the quality and quantity of knowledge, wisdom and spiritual insight the world is exposed to.

Let's make the world a better place together!

Like what you read? Help to become even better: