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sounds of victorial drum of K盲madeva. 37 The humming of drones compared to the benediction song. 38 These are some comparisons of the Sanskrit portions
only. The whole work is filled up with this upam膩la峁僰膩ra. There is a sequence
of Malopam膩 in the prose part between the 20th and 21st verse (quote from
p246 lines 3,4,5).
4.2.4.2 The Ati艣ayokti: The success of introspection refers to this category of
ala峁僰膩ra. This is also known as hyperbole. 39 In the third verse R膩dh膩 explains
about the glow of blue-gem which she looked around her and by which her pain
of heart is increasing by force. 40 Lalit膩 says to K峁涐梗峁嘺 that to get the star from
the sky may be possible but to make R膩dh膩 positive towords K峁涐梗峁嘺 is
impossible. R膩dh膩 is more eminent then the stars. 41 K峁涐梗峁嘺 explained the figure
of R膩dh膩 as a moveable golden puppet. 42 The wonderful effect of playing the
flute is described in the prose passage of thirtyfifth verse.
4.2.4.3 The Rupakam: The glow of K峁涐梗峁嘺 looks as if it is the blue lily, blue-gem
and the new cloud. 44 The mistakes of R膩dh膩 pains her like the arrow. The
45 comming of Lalita is like the rain on the dry field for K峁涐梗峁嘺 which is described in
the prose lines of verse eight.46 The sweet words of Lalit膩 serve K峁涐梗峁嘺 as a
37. vijayadindimadambarabalambi caranamandanam nihsrutya/ v.25
38. arabdhanangamangalasamgita madhukaranikara, v.26
39. Kane, P.V., Ed. Sahityadarpanam, p.154
40. sthaeirjyam tat prabhrti skhalatyapi val膩t / v.3
41. viyatast膩r膩dhik膩 R膩dhik膩 / v.11
42. ka帽canamay墨 samc膩ri峁噄 p膩帽c膩lik膩 / v.10
43. caracaradhairya vidhuamsini... babhuba / v.35
44. KCC.v.3
45. smarana sara visa rasara prayoga sirnasaram/ v.5
46. tapt膩峁僰ura ked膩ram pr膩ti v峁涐梗tyeba/ prose passage of v.8
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