狈腻峁璦办补 (critical study) [Chapter 1]

Dasarupaka (critical study)

by Anuru Ranjan Mishra | 2015 | 106,293 words

This page relates 鈥楴ataka (critical study)鈥� of the English study of the Dasarupaka of Dhananjaya: an important work on Hindu dramaturgy (Natya-shastra) from the tenth century dealing with the ten divisions of Sanskrit drama (nata), describing their technical aspects and essential dramaturgical principals. These ten types of drama are categorised based on the plot (vastu), hero (neta) and sentiment (rasa)

Chapter 1 - 狈腻峁璦办补 (critical study)

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Introduction to the 狈腻峁璦办补 type of Drama

Part 1 - Vi艣膩khadatta鈥擜uthor of the drama (惭耻诲谤腻谤腻办峁蝉补)

Part 2 - Summary of the drama (惭耻诲谤腻谤腻办峁蝉补)

Part 3-6 - 狈腻峁璦办补 rules

Part 7 - Characters in the 惭耻诲谤腻谤腻办峁蝉补

Part 8 - Styles (v峁泃tis) of the 狈腻峁璦办补

Part 9 - Sentiments (rasa) used in a 狈腻峁璦办补

Part 10 - The Elements (arthaprak峁泃i)

Part 11 - The five stages of action (avasth膩)

Part 12 - Employment of the Juncture (sandhi) in a 狈腻峁璦办补

Part 13 - Technical Aspects of a 狈腻峁璦办补

Part 14 - Society in the 惭耻诲谤腻谤腻办峁蝉补

Part 15 - Status of Women in the 惭耻诲谤腻谤腻办峁蝉补

Part 16 - Conclusion

The aim of this chapter is to provide the critical study of the rules of 狈腻峁璦办补, as given by the 狈腻峁瓂补艣腻蝉迟谤补 and the Da艣ar奴paka, the two most valuable works in the dramaturgy. In addition, it is meant to provide the study and the application of rules of drama in the play 鈥�惭耻诲谤腻谤腻办峁蝉补鈥�, to justify its status as a 狈腻峁璦办补.

Last Updated: 06 July, 2021

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Dasarupaka (critical study)

Chapter 1 - 狈腻峁璦办补 (critical study)

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