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Dasarupaka (critical study)

by Anuru Ranjan Mishra | 2015 | 106,293 words

Hinduism Natyashastra

This page relates 鈥業ntroduction鈥� of the English study of the Dasarupaka of Dhananjaya: an important work on Hindu dramaturgy (Natya-shastra) from the tenth century dealing with the ten divisions of Sanskrit drama (nata), describing their technical aspects and essential dramaturgical principals. These ten types of drama are categorised based on the plot (vastu), hero (neta) and sentiment (rasa)

Introduction

- Sub-Contents: (+ / -)

Western classical dramatic tradition

Summary of the Poetics by Aristotle

Indian classical dramatic tradition

Summary of the N膩峁瓂a艣膩stra

Summary of the Da艣ar奴paka

Summary Of The Da艣ar奴paka

Similarity between the Da艣ar奴paka and the N膩峁瓂a艣膩stra

Similarity Between The Da艣ar奴paka And The N膩峁瓂a艣膩stra

Difference between the Da艣ar奴paka and the N膩峁瓂a艣膩stra

The concise nature of the Da艣ar奴paka

The description of r奴pa, r奴paka, n膩峁瓂a, n峁泃ya and n峁泃ta

Dhana帽jaya鈥檚 division and application of the plot (vastu)

Dhana帽jaya鈥檚 methodology of discussion

Dhana帽jaya on the hero and other characters

Dhana帽jaya on the ten types of drama

Purpose of the Thesis

Last Updated: 02 July, 2021

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