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Essay name: Bhasa (critical and historical study)

Author: A. D. Pusalker

This book studies Bhasa, the author of thirteen plays ascribed found in the Trivandrum Sanskrit Series. These works largely adhere to the rules of traditional Indian theatrics known as Natya-Shastra.

Page 490 of: Bhasa (critical and historical study)

Page:

490 (of 564)


External source: Shodhganga (Repository of Indian theses)


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470
does not, however, appear to be merely local, or pertaining
only to herdsmen, as it is said to be the way of the world."
The reference in the Balacarita (p. 65) to the throwing
out of the corpses (f) of Kamsa, Caṇūra
and Mustika need not necessarily be taken as referring to
the general custom, because the three persons were treated as
the enemies of Visṇu; and further we do not know whether
the corpses were merely to be abandoned or were to be
cremated according to the usual custom.
WRITING.
No one now seriously controverts the proposition
that writing has been in
use in India since very ancient
times. There is a difference of opinion as to the
prevalence of writing in the age of the Rgveda, some
scholars holding that it was known in that age.
age.
Whatever
be the legends on the pictographs on the Indus seals, that
they represent the art of writing in its infancy is
indisputed. So there should be no difficulty in accepting
that writing prevailed to a great extent in the Buddhist
age, and the period represented by the ArthaÅ›Ästra and
our plays. The Arthaśästra mentions TÄlÄ«, TÄla and
Bhurja as yielding leaves which were used as writing
material. Rajasekhara has referred to TÄlÄ«patra as
being current in the North, whereas TÄlapatra was used
in the South. BhÄsa's use of the word Talipatta in the
CÄrudatta has been taken as referring to the same as a
writing material, and on RÄjasekhara's testimony, BhÄsa
has been taken to be a northerner. But BhÄsa has employed
the term Talipatta as meaning an ornament for the ear.
Possibly, the preference shown to the word TÄlÄ«patta may
show Bhasa to have hailed from the North, especially as
there is nothing in his plays to contradict the assumption
of his being a northerner.
2 8
PURIFICATION.
Sufficient reference has already been made to the
use of water for removing various sorts of physical
impurities, such as tears etc. as also for the purposes of
purification or sanctifying a vow, etc. No one entered the
house without washing feet. Among the numerous
1 Bal, p. 12 काषà¥à¤ à¤­à¥‚तà¤� कलेवरं तà¥à¤¯à¤œà¥à¤¯à¤¤à¤¾à¤®à¥ à¥� ईदृशà¥� लोकधरà¥à¤®à¤ƒ à¥� तà¥à¤¯à¤œà¥à¤¯à¤¤à¤¾à¤®à¥ à¥� [kÄṣṭhabhÅ«taá¹� kalevaraá¹� tyajyatÄm | Ä«dṛśo lokadharmaá¸� | tyajyatÄm | ] 2
Arthasästra, II. 17, p. 100. 3 Car, p. 82; Svapnanī Sundari, p. 14. 4 Cf. Car,
p. 68.

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