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Essay name: Bhasa (critical and historical study)

Author: A. D. Pusalker

This book studies Bhasa, the author of thirteen plays ascribed found in the Trivandrum Sanskrit Series. These works largely adhere to the rules of traditional Indian theatrics known as Natya-Shastra.

Page 447 of: Bhasa (critical and historical study)

Page:

447 (of 564)


External source: Shodhganga (Repository of Indian theses)


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427
before Christ is indisputable. No incontrovertible proofs
are found regarding Rama's inclusion as the incarnation
of Visnu at so early a period; but on general grounds, we
may safely say that by the pre-Mauryan epoch, RÄma was
also looked upon as a form of Visṇu. We are inclined to
hold that at the period of our poet, when Buddhism was
in its infancy, and vigorous propaganda in its favour was
in full swing, there were people who denied divinity to
Krsna and lightly treated him as a mere cowherd. The
weapons of Kṛṣṇa were also regarded as divine and capable
of achieving any object. As already observed, BhÄsa was
the first to invest these weapons with human form and
bring them on the stage. They are advised to proceed to
Gokula in the guise of cowherds.³ There was no
unhealthy rivalry between Vaisnavism and Saivism and no
attempts were made to impress the superiority of either of
them over the other. Siva was worshipped and so was his
divine consort, KÄrtyÄyanÄ«. KÄrtyÄyani is said to be the
divine child of Yasoda which was dashed against stone
by Kamsa, but instead of being dead, the child burst into
two. The divine weapons of KÄrtyÄyanÄ« are shown as
appearing on the stage to praise her. They include
Kundodara, Sankukarṇa, Nīla and Manojava, and they
also are advised to go disguised as cowherds to Gokula
along with the disguised KÄrtyÄyaṇÄ�.*
5 Skanda is said to have proceeded from the grove of
arrows or reeds. His feats of killing Krauñca and
Mandara are referred to a number of times. In
connection with the praise of Balarama, it may be
mentioned that there were temples dedicated to Balarama
in the epic age. BalarÄma plays an important part in
the PañcarÄtra system (about which we shall speak later
on), and our poet appears to be a follower of the system.
There were temples of Yakṣinīs and maidens used to
worship them. KÄlÄṣṭami is mentioned as a special day
for worshipping the Yakṣiṇi. We do not think that
Yaká¹£inis were evil spirits, at least in the period we are
dealing with. In Aśoka's time, they appear to have lost
1 Bhandarkar, EI, XXII, pp. 198-205. 2 Dv. pp. 7, 26-achtaa
पà¥à¤°à¥à¤·à¥‹à¤¤à¥à¤¤à¤®à¤� à¥� ( [puruá¹£ottamaá¸� | (] p. 7), कथà¤� कथà¤� गोपालक इतà¤� à¥� ( [kathaá¹� kathaá¹� gopÄlaka iti | (] p. 26). 3 Cf. Bal, p. 17. 4 Cf. BÄl, p. 33.
5 PratijñÄ, II. 2. 6 Cf. Bal, 11. 23; III. 9; Abh, I. 24; VI. 7; Prat, V. 12;
etc. 7 Cf. Vaidya, UpasaṃhÄra, p. 521. 8 Cf. PratijñÄ, padre aftaping gloi
तसà¥à¤¸à¤� देवकयà¥à¤¯à¤‚ कतà¥à¤¤à¤� à¥� [tassi devakayyaá¹� kattaá¹� | ] 9 Jayaswal, JASB, 1X, p. 262: Ghatak. JDL, XII, p. 30.

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