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Essay name: Bhasa (critical and historical study)

Author: A. D. Pusalker

This book studies Bhasa, the author of thirteen plays ascribed found in the Trivandrum Sanskrit Series. These works largely adhere to the rules of traditional Indian theatrics known as Natya-Shastra.

Page 38 of: Bhasa (critical and historical study)

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38 (of 564)


External source: Shodhganga (Repository of Indian theses)


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18
but there is nothing in the former that should contradict
the assumption that the author was a BrÄhmaṇa and a
Vaisnava.
ii. BrÄhmaṇas were held in high esteem, the truth
of their statements was never questioned."
iii. Noteworthy also is the use of metronyms in the
Bal, Svapna, Prat, Pañc and D-a,
पà¥à¤¤à¥à¤°à¤ƒ, कौसलà¥à¤¯à¤¾à¤®à¤¾à¤¤à¤�, [putraá¸�, kausalyÄmÄtaá¸�, ] etc.
-
iv. Music is approvingly referred to in the PratijñÄ
(Act I), Svapna (Act V, VI), Car (Act III), and Avi
(Act III).
Another very peculiar feature that we come across
in a number of these plays is the
15. ACTUAL BRINGING OF WATER
ON THE STAGE
after a demand for it which is found probably nowhere
in Sanskrit dramas. Water is required for purifying
purposes, by a dying or sorrowing person, for honouring a
superior, for giving sanctity to a pledge, and so on. The
demand is usually made in the form, while the
bearer comes with इमà¤� आपà¤� à¥� [imÄ Äpaá¸� | ] This occurs no less than eleven
times and in seven dramas of the group.
Thus we find the demands made by Dasaratha
and Välin at the time of their death." ii. In the Pratijña,
Yaugandharayana asks for water for declaring his vow."
iii. Ghatotkaca and Bhima in the Mv demand water for
chanting mantras. iv.
iv.
In the Dv and Prat,
required for paying homage to the Lord and as a pudya
for the guests respectively. v. Demand is also made
for washing the face of a person who has been weeping."
It was reputed to remove the impurity attached to tears.
Po water is
"Water" introduced so frequently has led Prof.
1 1 Cf. Devdhar, Plays etc, p. 17; Winternitz, Problems, pp. 116-117. 2
Cf. Mv, p. 30. पूजà¥à¤¯à¤¤à¤®à¤ƒ खलà¥� बà¥à¤°à¤¾à¤¹à¥à¤®à¤£à¤� | [pÅ«jyatamaá¸� khalu brÄhmaṇaá¸� | ] Karna, p. 84. बà¥à¤°à¤¾à¤¹à¥à¤®à¤£à¤µà¤šà¤¨à¤®à¤¿à¤¤à¤� à¥� à¤� मयातिकà¥à¤°à¤¾à¤¨à¥à¤¤à¤ªà¥‚रà¥à¤µà¤®à¥� à¥�
[brÄhmaṇavacanamiti | na mayÄtikrÄntapÅ«rvam |
]
Bal, p. 27. बà¥à¤°à¤¾à¤¹à¥à¤®à¤£à¤µà¤šà¤¨à¤®à¤¨à¥ƒà¤¤à¤®à¤ªà¤¿ सतà¥à¤¯à¤� पशà¥à¤¯à¤¾à¤®à¤� à¥� [brÄhmaṇavacanamaná¹›tamapi satyaá¹� paÅ›yÄmi | ] Pañic, I. 22. विपà¥à¤°à¥‹à¤¤à¥à¤¸à¤™à¥à¤—à¥� वितà¥à¤¤à¤®à¤¾à¤µà¤¯à¥‡ सरà¥à¤µ राजà¥à¤žà¤¾
देयं चापमातà¥à¤° सà¥à¤¤à¥‡à¤­à¥à¤¯à¤ƒ à¥� [viprotsaá¹…ge vittamÄvaye sarva rÄjñÄ
deyaá¹� cÄpamÄtra sutebhyaá¸� |
]
The prayer in Pañic and BÄl for happiness for Brahmins,
3 Prat, p. 51; Abh, p. 60. 4 PratijñÄ, p. 21.
21.
5 Mv, pp. 34, 35. 6 Dv, p.24;
Prat, p. 98. 7 Pañc, p. 26; Prat, p. 86; Svapna, pp. 86, 87. 8 Cf. Pañc, p. 26
अशà¥à¤°à¥à¤ªà¤¾à¤¤à¥‹à¤šà¥à¤›à¤¿à¤·à¥à¤Ÿà¤¸à¥à¤� मà¥à¤–सà¥à¤¯ कà¥à¤°à¤¿à¤¯à¤¤à¤¾à¤‚ शौचमà¥� | [aÅ›rupÄtocchiṣṭasya mukhasya kriyatÄá¹� Å›aucam | ] also
निषà¥à¤ à¥€à¤µà¤¨à¥� तथाभà¥à¤¯à¤™à¥à¤—े तथà¤� पादावसेचने à¥�
उचà¥à¤›à¤¿à¤·à¥à¤Ÿà¤¸à¥à¤� à¤� समà¥à¤­à¤¾à¤·à¤¾à¤¦à¤¶à¥à¤šà¥à¤¯à¥à¤ªà¤¹à¤¤à¤¸à¥à¤¯ à¤� à¥�
[niṣṭhÄ«vane tathÄbhyaá¹…ge tathÄ pÄdÄvasecane |
ucchiṣṭasya ca sambhÄá¹£ÄdaÅ›ucyupahatasya ca ||
]

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